UA-250212465-1 google-site-verification=ePEiuv2MG23QPdfKA1gjI-V1TDL6ub5GLI66Pqe4R2M google-site-verification=seus5fGUGvMgn4_9jjvhEcE3ldheRYJVPe26MBzIT18 Universal explorers Explore aliens and mysteries hidden in the universe.

Wednesday, December 14, 2022

The miraculous curved walks of animals that occur from two to three weeks


 The miraculous curved walks of animals that occur from two to three weeks 

In fact, animals can know the special events that occur in nature more than ordinary humans. For example, before a flood, small insects that associate with the ground are drawn to higher places. Before the tsunami, the animals on the coast were drawn to the land.

This is about an amazing incident of animals moving in circles for about 12 days due to some change or impact in the environment about two weeks ago.

Also, according to the latest reports, another surprise is that this behavior has been reported by many animals such as sheep, killer whales, and hummingbirds.

A similar phenomenon has happened in Mongolia and a flock of sheep has been walking in circles since November 4. These animals have been walking in the same circle for 12 days without stopping and the owners and experts have been surprised. Such strange behavior of these sheep that no one knows why is amazing.

Sunday, November 27, 2022

little golden books Cueva de Los Tayos

 


Come on Let's go and read the golden books. Walk in the tunnels without finding an end ☺️😊👇

😍 Cueva de Los Tayos 😱

A priest discovers an ancient gold library made by giants in a cave in Ecuador. The discovery included a metallic extraterrestrial library containing hundreds of plates of gold, platinum, and, other precious metals.

"Two years ago, we discussed a discovery in Ecuador, and some people thought it was a hoax we made up," says Crespi. The discovery by Crespi has been well-researched and documented. It included a metallic extraterrestrial library containing hundreds of plates of gold, platinum, and other precious metals. The Cueva de Los Tayos, the cave discovered by Expedition Morix in 1969, is the cave where all these artifacts and artifacts were found.

As mentioned earlier, the Ecuadorian authorities disputed the discovery, but the fact is that the governments of Ecuador and the United Kingdom supported an intensive investigation of the caves, which attracted the attention of many visitors. Neil Armstrong is one of them. While exploring this library, one can see huge tunnels in caves which are supposed to be huge and magnificent creations created by man in the ancient past. All errors and inconsistencies will be fully disclosed.

As these tunnels are massive and seemingly endless, the cave has not been fully investigated and explored yet, but what we have seen so far is amazing. Why would someone build such a huge network of caves? Now it seems that these caves were definitely created by humans. But the question now is who was responsible for developing such a complex system and when. If you have nothing to hide, why would you build something like a valuable library so deep underground? And so do we. However, these caves continue to be a source of fascination for many scholars and researchers.

āļ‘āļą්āļą. āļ…āļ´ිāļ­් āļēāļ¸ු āļģāļ­්āļ­āļģāļą් āļ´ොāļ­් āļšිāļē⎀āļą්āļą.. āļšෙāļŊ⎀āļģāļš්‌ ⎃ොāļēා āļąොāļœāļ­් āļ‹āļ¸ං ⎀āļŊ āļ‡āˇ€ිāļ¯ිāļą්āļą ☺️😊👇

😍 Cueva de Los Tayos 😱

āļ´ූāļĸāļšāļēāļšු ⎀ි⎃ිāļą් āļ‰āļš්⎀āļ¯ෝāļģāļēේ āļœු⎄ා⎀āļš් āļ­ු⎅ āļēෝāļ°āļēāļą් ⎀ි⎃ිāļą් ⎃ාāļ¯āļą āļŊāļ¯ āļ´ුāļģාāļĢ āļģāļą් āļ´ු⎃්āļ­āļšාāļŊāļēāļš් ⎃ොāļēා āļœāļąී.āļ¸ෙāļ¸ āˇƒොāļēාāļœැāļąීāļ¸ේ āļģāļą්, āļ´්āļŊැāļ§ිāļąāļ¸් āˇƒāˇ„ āļ…āļąෙāļšුāļ­් ⎀āļ§ිāļąාāļŊෝ⎄ āļ­āˇ„āļŠු ⎃ිāļē āļœāļĢāļąāļš් āļ…āļŠංāļœු āļŊෝ⎄āļ¸āļē āļ´ිāļ§āˇƒāļš්⎀āļŊāļ´ු⎃්āļ­āļšාāļŊāļēāļš් āļ‡āļ­ු⎅āļ­් ⎀ිāļē.

'"āļ¸ීāļ§ āˇ€āˇƒāļģ āļ¯ෙāļšāļšāļ§ āļ´ෙāļģ, āļ…āļ´ි āļ‰āļš්⎀āļ¯ෝāļģāļēේ ⎃ොāļēාāļœැāļąීāļ¸āļš් āļœැāļą āˇƒාāļšāļ ්āļĄා āļšāˇ…ෙāļ¸ු, ⎃āļ¸āˇ„āļģුāļą් āļ‘āļē āļ…āļ´ āˇ€ි⎃ිāļą් āļ¸āˇ€āļą āļŊāļ¯ āļļොāļģු⎀āļš් āļŊෙ⎃ ⎃ිāļ­ූ⎄"' āļš්‍āļģෙ⎃්āļ´ි āļšිāļēāļēි.āļš්‍āļģෙ⎃්āļ´ි āļąāļ¸් āļ´ුāļ¯්āļœāļŊāļēා ⎀ි⎃ිāļą් āļšāļģāļą āļŊāļ¯ āˇƒොāļēා āļœැāļąීāļ¸ āļ‰āļ­ා ⎄ොāļŗිāļą් āļ´āļģ්āļēේ⎂āļĢ āļšāļģ āļ‡āļ­ āˇƒāˇ„ āļŊේāļ›āļąāļœāļ­ āļšāļģ āļ‡āļ­.āļ¸ෙāļ¸ āˇƒොāļēා āļœැāļąීāļ¸ āļ­ු⎅ āļģāļą්, āļ´්āļŊැāļ§ිāļąāļ¸් āˇƒāˇ„ āļ…āļąෙāļšුāļ­් ⎀āļ§ිāļąා āļŊෝ⎄ āļ­āˇ„āļŠු ⎃ිāļē āļœāļĢāļąāļš් āļ…āļŠංāļœු āļŊෝ⎄āļ¸āļē āļ´ිāļ§āˇƒāļš්⎀āļŊ āļ´ු⎃්āļ­āļšාāļŊāļēāļš් āļ‡āļ­ු⎅āļ­් ⎀ිāļē.āļ‘āļš්⎃්āļ´ෙāļŠි⎂āļą් āļ¸ොāļģිāļš්⎃් 1969 āļ¯ී āļŊො⎃් ⎆ේ ⎃ොāļēා āļœāļ­් āļœු⎄ා⎀ Cueva de Los Tayos āļēāļąු āļ¸ෙāļ¸ āˇƒිāļēāļŊු āļ´ුāļģාāˇ€āˇƒ්āļ­ු āˇƒāˇ„ āļ´ුāļģාāˇ€āˇƒ්āļ­ු⎃ොāļēාāļœāļ­් āļœු⎄ා⎀āļēි.

āļšāļŊිāļą් āļšී āļ´āļģිāļ¯ි, āļ‰āļš්⎀āļ¯ෝāļģ āļļāļŊāļ°ාāļģීāļą් āļ¸ෙāļ¸ āˇƒොāļēාāļœැāļąීāļ¸ āļ¸āļ­āļˇේāļ¯āļēāļ§ āļ­ුāļŠු āļ¯ුāļą්āļą āļ¸ුāļ­් āļšාāļģāļĢāļē āļąāļ¸් āļ‰āļš්⎀āļ¯ෝāļģ āˇƒāˇ„ āļ‘āļš්⎃āļ­් āļģාāļĸāļ°ාāļąිāļēේ āļģāļĸāļēāļą් āļ¸ෙāļ¸ āļœු⎄ා āļ´ි⎅ිāļļāļŗ āļ¯ැāļŠි ⎃ෝāļ¯ි⎃ි āļšිāļģීāļ¸āļšāļ§ āˇƒāˇ„ාāļē āļ¯ුāļą් āļ…āļ­āļģ āļ‘āļē āļ¸ෙāļ¸ āļœු⎄ා ⎀ෙāļ­ āļœිāļē āļļො⎄ෝāļ´ුāļ¯්āļœāļŊāļēිāļą්āļœේ āļ…⎀āļ°ාāļąāļēāļ§ āļŊāļš් ⎀ිāļē. āļąීāļŊ් āļ†āļ¸්⎃්āļ§්‍āļģෝං āļ¯ āļ’ āļ…āļ­āļģිāļą් āļšෙāļąෙāļšි.āļ¸ේ āļ´ු⎃්āļ­āļšාāļŊāļē ⎃ොāļēා āļēāļą āļ…āļ­āļģ āļ­ුāļģāļ¸ āļ¸ිāļąි⎃ා ⎀ි⎃ිāļą් āļ‰āļ´ැāļģāļĢි āļ…āļ­ීāļ­āļēේ  āļąිāļģ්āļ¸ාāļĢāļē āļšāļģāļą āļŊāļ¯ āļ¯ැ⎀ැāļą්āļ­ āˇ„ා ⎀ි⎁ි⎂්āļ§ āļąිāļģ්āļ¸ාāļĢāļē āļš්‌ āļŊෙ⎃ āļ…āļąුāļ¸ාāļą āļšāļģāļą āļŊෙāļą්⎀āļŊ āļ¯ැ⎀ැāļą්āļ­ āļ‹āļ¸ං āļ¸ාāļģ්āļœ āļ¯ැāļš āļœāļ­ āˇ„ැāļš..āļ¸ේ ⎃ොāļēා āļœැāļąීāļ¸ේ ⎃āļ§āˇ„āļą් āļąි⎀ැāļģāļ¯ි⎀ āļšිāļē⎀ු⎀ ⎄ොāļ­්, āļ‘āļē āļ…āļ´āļœේ āļ¸ූāļŊාāļģāļ¸්āļˇāļēේ āˇƒāˇ„ āļ‰āļ­ි⎄ා⎃āļēේ āļ‡āļ­ි ⎃ිāļēāļŊුāļ¸ āļ¯ෝāˇ‚āˇƒāˇ„ āļąොāļœැāļŊāļ´ීāļ¸් ⎃āļ¸්āļ´ූāļģ්āļĢāļēෙāļą්āļ¸ āˇ„ෙ⎅ි āļšāļģāļąු āļ‡āļ­.

āļ¸ෙāļ¸ āļ‹āļ¸ං āļ¸ාāļģ්āļœ āļ¯ැ⎀ැāļą්āļ­ āˇ€āļą āļ…āļ­āļģ āļšි⎃ිāļ¯ා āļąිāļ¸ āļąො⎀āļąāļ­āļģāļ¸් āļšෙāļŊ⎀āļģāļš්‌ ⎃ොāļēා āļœāļ­ āļąො⎄ැāļšි āļļැ⎀ිāļą්, āļœු⎄ා⎀ āļ¸ේ āļ­ාāļš් ⎃āļ¸්āļ´ූāļģ්āļĢāļēෙāļą් ⎀ිāļ¸āļģ්⎁āļąāļē āļšāļģ āļœāˇ€ේ⎂āļĢāļē āļšāļģ āļąැāļ­, āļąāļ¸ුāļ­් āļ…āļ´ āļ¸ෙāļ­ෙāļš් āļ¯ැāļš āļ‡āļ­ි āļ¯ේāļ‰āļ­ා ⎀ි⎁ි⎂්āļ§āļēි.āļēāļ¸ෙāļš් āļ¸ෙāļ­āļģāļ¸් ⎀ි⎁ාāļŊ āļœු⎄ා āļĸාāļŊāļēāļš් āļœොāļŠāļąāļŸāļą්āļąේ āļ‡āļēි? āļ¯ැāļą් āļ´ෙāļąෙāļą්āļąේ āļ¸ෙāļ¸ āļœු⎄ාāļąි⎃ැāļšāˇ€ āļ¸ āļ¸ිāļąි⎃ුāļą් ⎀ි⎃ිāļą් āļąිāļģ්āļ¸ාāļĢāļē āļšāļģāļą āļŊāļ¯්āļ¯āļš් āļļ⎀āļēි.āļąāļ¸ුāļ­් āļ¯ැāļą් āļ‡āļ­ි āļ´්‍āļģ⎁්āļąāļē āļąāļ¸් āļ¸ෙāļ­āļģāļ¸් ⎃ංāļšීāļģ්āļĢ āļ´āļ¯්āļ°āļ­ිāļēāļš් ⎃ං⎀āļģ්āļ°āļąāļē āļšිāļģීāļ¸ේ ⎀āļœāļšීāļ¸ āļ´ැ⎀āļģුāļĢේāļšාāļ§āļ¯ āˇƒāˇ„ āļšāˇ€āļ¯ාāļ¯ āļēāļą්āļąāļēි.āļ”āļļāļ§ āˇƒැāļŸāˇ€ීāļ¸āļ§ āļšි⎃ි⎀āļš් āļąොāļ¸ැāļ­ි āļąāļ¸්, āļ‡āļēි āļ¸ෙāļ­āļģāļ¸් āļ´ො⎅⎀ේ āļœැāļšුāļģිāļą් ⎀āļ§ිāļąා āļ´ු⎃්āļ­āļšාāļŊāļēāļš් ⎀āļą් āļēāļ¸āļš් āļœොāļŠāļąāļŸāļą්āļąේ?āļēāļą āļ´්‍āļģ⎁්āļąāļēāļš් ⎀ිāļ¯්⎀āļ­ුāļą් āˇƒāˇ„ ⎀ිāļ¸āļģ්⎁āļšāļēිāļą්āļ§ āļ¸ෙāļą්āļ¸ āļ…āļ´āļ§āļ¯ āˇ€ේ.āļšෙ⎃ේ ⎀ෙāļ­āļ­්, āļ¸ෙāļ¸ āļœු⎄ා āļļො⎄ෝ ⎀ිāļ¯්⎀āļ­ුāļą්āļœේ āˇƒāˇ„ ⎀ිāļ¸āļģ්⎁āļšāļēිāļą්āļœේ ⎃ිāļ­් āļ‡āļ¯āļœāļą්āļąා āļ¸ූāļŊා⎁්‍āļģāļēāļš් āļŊෙ⎃ āļ¯ිāļœāļ§āļ¸ āļ´āˇ€āļ­ී.

Levitation technology used for construction in the past (200,000 years old) āļ…āļ­ීāļ­āļēේ āļ‰āļ¯ිāļšිāļģීāļ¸් ⎃āļŗāˇ„ා āļēොāļ¯ා āļœāļ­් (āˇ€āˇƒāļģ 200,000 āļ´ැāļģāļĢි ) āļŊෙ⎀ිāļ§ේ⎂āļą් āļ­ාāļš්‍⎂āļĢāļē




 Levitation technology used for construction in the past (200,000 years old) 

Levitation (from the Latin Levitas "lightness") is the process of lifting an object steadily without support. In this, solid and heavy objects are lifted up without any physical or mechanical support. This action is accomplished by providing a small stabilizing force that pushes an object in one location unsupported toward another location by simply providing a force that reacts against gravity.

The force may be a fundamental force such as magnetic or electrostatic, or it may be a reactive force such as optical, buoyant, aerodynamic, or hydrodynamic.

The levitation technique is very useful in physics research. For example, levitation techniques are useful for studying the properties of high-temperature melts because they eliminate the problem of reaction with the support and allow for deeper undercooling of the melt. Instead of allowing a full trial, the unsupported hold can be performed in counter-gravity with a force of gravity.

The 200,000-year-old ancient technology of levitation still poses a formidable challenge to physics today. Modern scientists are still unable to figure out how to levitate huge, heavy objects in the past. According to history, ancient civilizations may have used this method in the construction of pyramids and other megalithic monuments. Today's builders admit that it is very difficult to even imagine using the most modern cranes to build such a structure. They may have used some kind of advanced sound technology to move stones weighing o thousand tons, which is an extremely difficult task. The technology we use before the technology of that time is still as small as small ants that are not in front of a big mountain.

Even today, in many parts of the world, huge monoliths are seen being lifted up that even the most advanced cranes of today's so-called advanced technological age cannot lift. Our modern society today can be seen proudly boasting of its technological and scientific achievements, but we are still unable to reach them. We have to admit that our ancestors had such unique knowledge. Did the ancients master levitation?" How did they do it? Still a mystery.

āļ…āļ­ීāļ­āļēේ āļ‰āļ¯ිāļšිāļģීāļ¸් ⎃āļŗāˇ„ා āļēොāļ¯ා āļœāļ­් (āˇ€āˇƒāļģ 200,000 āļ´ැāļģāļĢි ) āļŊෙ⎀ිāļ§ේ⎂āļą් āļ­ාāļš්‍⎂āļĢāļē 😱

Levitation (āļŊāļ­ිāļą් āļˇා⎂ා⎀ෙāļą් levitas "lightness")āļēāļąු āˇ€āˇƒ්āļ­ු⎀āļš් āļ†āļ°ාāļģāļš āļąොāļ¸ැāļ­ි⎀ ⎃්āļŽා⎀āļģ āļŊෙ⎃ āļ”āˇƒāˇ€ා   āļ­āļļāļą āļš්‍āļģිāļēා⎀āļŊිāļē āļēි.āļ¸ෙ⎄ිāļ¯ී āļšි⎃ිāļ¯ු āļˇෞāļ­ිāļš āļ¯ෙāļēāļš āˇ„ෝ āļēාāļą්āļ­්‍āļģිāļš āļ†āļ°ාāļģāļšāļēāļšිāļą් āļ­ොāļģ⎀ āļāļĢ āˇ„ා āļļāļģ āˇ€āˇƒ්āļ­ූāļą් āļ‰āˇ„⎅āļ§ āļ‘āˇƒāˇ€ේ. ⎃āļģ⎅⎀āļ¸ āļœුāļģුāļ­්⎀ාāļšāļģ්⎂āļĢāļēāļ§ āˇ€ිāļģුāļ¯්āļ°āˇ€ āļ´්‍āļģāļ­ිāļš්‍āļģිāļēා āļšāļģāļą āļļāļŊāļēāļš් āļŊāļļා āļ¯ීāļ¸ෙāļą් āļ‘āļš් āļ­ැāļąāļš āļ‡āļ­ි āˇ€āˇƒ්āļ­ු⎀āļš් āļ†āļ°ාāļģāļš āļģ⎄ිāļ­āˇ€ ⎀ෙāļąāļ­් ⎃්āļŽාāļąāļēāļš්‌ āļ¯ෙ⎃āļ§ āļ­āļŊ්āļŊු āļšāļģāļą āļšුāļŠා ⎃්āļŽාāļēීāļšāļģāļĢ āļļāļŊāļēāļš් ⎃ැāļ´āļēීāļ¸ෙāļą් āļ¸ෙāļ¸ āļš්‍āļģිāļēා⎀ ⎃ිāļ¯ු āļšෙāļģේ.

āļļāļŊāļē āļ ුāļ¸්āļˇāļš āˇ„ෝ ⎀ිāļ¯්‍āļēුāļ­් ⎃්āļŽිāļ­ිāļš āˇ€ැāļąි āļ¸ූāļŊිāļš āļļāļŊāļēāļš් ⎀ිāļē ⎄ැāļšිāļē, āļąැāļ­āˇ„ොāļ­්āļ‘āļē āļ´්‍āļģāļšා⎁, āļ‹āļ­්āļ´්āļŊා⎀āļš, ⎀ාāļēුāļœāļ­ිāļš āˇ„ෝ āļĸāļŊ āļœāļ­ිāļš āˇ€ැāļąි āļ´්‍āļģāļ­ිāļš්‍āļģිāļēා⎁ීāļŊී āļļāļŊāļēāļš් ⎀ිāļē⎄ැāļšිāļē.

āļŊෙ⎀ිāļ§ේ⎂āļą් ⎁ිāļŊ්āļ´ීāļē āļš්‍āļģāļ¸āļē āļˇෞāļ­ිāļš āˇ€ිāļ¯්‍āļēා āļ´āļģ්āļēේ⎂āļĢ⎀āļŊāļ§ āļ‰āļ­ාāļ¸āļ­් āļ´්‍āļģāļēෝāļĸāļąāˇ€āļ­් ⎀ේ.āļąිāļ¯āˇƒුāļąāļš් āļŊෙ⎃, āļ‰āˇ„⎅-āļ‹āˇ‚්āļĢāļ­්⎀āļēේ āļ¯ිāļē⎀āļą āļœුāļĢාංāļœ āļ…āļ°්‍āļēāļēāļąāļē ⎃āļŗāˇ„ා āļŊෙ⎀ිāļ§ේ⎂āļą් āļš්‍āļģāļ¸ āļ´්‍āļģāļēෝāļĸāļąāˇ€āļ­් ⎀āļą්āļąේ āļ’⎀ා āļ†āļ°ාāļģāļš āˇƒāļ¸āļŸ āļ´්‍āļģāļ­ිāļš්‍āļģිāļēා āļšිāļģීāļ¸ේ āļœැāļ§āļŊු⎀ āļąැāļ­ි āļšāļģ āļ¯ිāļē⎀ීāļ¸ āˇ„ා āļœැāļšුāļģු⎀ූ āļēāļ§ි ⎃ි⎃ිāļŊāļąāļē ⎀ීāļ¸āļšāļ§āļ¯ āļ‰āļŠ āˇƒāļŊ⎃āļą āļļැ⎀ිāļąි. ⎃āļ¸්āļ´ූāļģ්āļĢ āļ…āļ­්⎄āļ¯ා āļļැāļŊීāļ¸āļšāļ§ āļ‰āļŠ āļ¯ීāļ¸ āˇ€ෙāļąු⎀āļ§ āļœුāļģුāļ­්⎀ාāļšāļģ්⎂āļĢ āļļāļŊāļēāļš් ⎃āļ¸āļŸ āļ´්‍āļģāļ­ි⎀ිāļģුāļ¯්āļ° āļœුāļģුāļ­්⎀ාāļšāļģ්⎂āļĢāļēෙāļą් āļ†āļ°ාāļģāļš āļģ⎄ිāļ­ āļģැāļŗāˇ€ීāļ¸ āˇƒිāļ¯ු āļšāˇ… ⎄ැāļš.

āˇ€āˇƒāļģ 200,000 āļ´ැāļģāļĢි āļ´ුāļģාāļĢ āļŊෙ⎀ිāļ§ේ⎂āļą් āļ­ාāļš්‍⎂āļĢāļē ⎀āļģ්āļ­āļ¸ාāļąāļēෙāļ­් āļˇෞāļ­ිāļš āˇ€ිāļ¯්‍āļēා⎀āļ§ āļ­āˇ€āļ¸āļ­් āļ´්‍āļģāļļāļŊ āļ…āļˇිāļēෝāļœāļēāļšි. āļ…āļ­ීāļ­āļēේ āļ…āļ­ි ⎀ි⎁ාāļŊ ⎀ි⎁ාāļŊ āļļāļģ āˇ€āˇƒ්āļ­ූāļą්  āļŊෙ⎀ිāļ§ේ⎂āļą් āļšāļģāļą්āļąāļ§ āļ‡āļ­්āļ­ේ āļšෙ⎃ේāļ¯ැāļēි ⎃ොāļēා āļœැāļąීāļ¸āļ§ āļąුāļ­āļą āˇ€ිāļ¯්‍āļēාāļĨāļēිāļą්āļ§ āļ­āˇ€āļ¸āļ­් āļąො⎄ැāļšි ⎀ී āļ‡āļ­.āļ‰āļ­ි⎄ා⎃āļēāļ§ āļ…āļąු⎀ āļ´ුāļģාāļĢ āˇි⎂්āļ§ාāļ ාāļģāļēāļą් ⎀āļŊ āļ´ිāļģāļ¸ීāļŠ āˇƒāˇ„ āļ…āļąෙāļšුāļ­් āļ¸ෙāļœāļŊිāļ­ිāļš āˇƒ්āļ¸ාāļģāļš āļœොāļŠ āļąැāļœීāļ¸ේ āļ¯ී āļ¸ෙāļ¸ āļš්‍āļģāļ¸āļē āļˇා⎀ිāļ­ා āļšāļģāļą්āļąāļ§ āļ‡āļ­. āļ‘⎀āļą් āļąිāļģ්āļ¸ාāļĢāļēāļš්‌ āļ‰āļ¯ි āļšිāļģීāļ¸āļ§ āˇ€āļģ්āļ­āļ¸ාāļąāļēේ āļ…āļ­ි āļąāˇ€ීāļą āļ¯ොāļšāļšāļģ āļˇා⎀ිāļ­ා āļšිāļģීāļ¸ෙāļą් āļ´āˇ€ා ⎃ිāļ¯ුāļšිāļģීāļ¸āļ§ āˇƒිāļ­ීāļ¸āļ­් āļ‰āļ­ා āļ¯ු⎂්āļšāļģ āļļ⎀ ⎀āļģ්āļ­āļ¸ාāļą āļ‰āļ¯ිāļšිāļģීāļ¸් āļšāļģු⎀āļą් āļ´ි⎅ිāļœāļąිāļ­ි. āļ…āļ­ි⎁āļēිāļą්āļ¸ āļ¯ු⎂්āļšāļģ āļšāļģ්āļ­āˇ€්‍āļēāļēāļš් ⎀āļą āļ§ොāļą් āļ¯āˇ„āˇƒāļš් āļļāļģ āļœāļŊ් āļ āļŊāļąāļē āļšිāļģීāļ¸āļ§ āļ”⎀ුāļą්āļ§ āļšි⎃ිāļēāļ¸් āļ¯ිāļēුāļĢු āļ†āļšාāļģāļēේ ⎁āļļ්āļ¯ āļ­ාāļš්⎂āļĢāļēāļš් āļēොāļ¯ාāļœāļ­්āļ­ා ⎀ිāļē ⎄ැāļš.āļ‘āļšāļŊ āļ­ාāļš්⎂āļĢāļē āļ‰āļ¯ිāļģිāļēේ āļ…āļ´ āļēොāļ¯ාāļœāļą්āļąා āļ­ාāļš්⎂āļĢāļē āļ­āˇ€āļ¸āļ­් ⎀ි⎁ාāļŊ āļšāļą්āļ¯āļš් āļ‰āļ¯ිāļģිāļēේ ⎃ිāļ§ිāļą āļąො⎀āļą āļšුāļŠා āļšු⎄ුāļšු⎀āļą් āļ­āļģāļ¸් ⎃ු⎅ුāļē.

āļŊෝāļšāļēේ āļļො⎄ෝ āļ´්‍āļģāļ¯ේ⎁⎀āļŊ āļ…āļ¯āļ§āļ­්,⎀āļģ්āļ­āļ¸ාāļąāļēේ āļ¯ිāļēුāļĢු āļēැāļēි āļšිāļēාāļœāļą්āļąා āļ…āļ­ි ⎀ි⎁ි⎂්āļ§ āļ­ාāļš්‍⎂āļĢ āļēුāļœāļēේ āļ…āļ­ි āļ¯ිāļēුāļĢු āļ¯ොāļšāļšāļģāļēāļšāļ§ āļ´āˇ€ා āļ‘āˇƒāˇ€ිāļē āļąො⎄ැāļšි āļ¯ැ⎀ැāļą්āļ­ āļ’āļšāļŊිāļ­ āļ‰āˇ„⎅āļ§ āļ”āˇƒāˇ€ා āļ­ිāļļෙāļĢු āļ¯āļš්āļąāļ§ āļ‡āļ­.āļ…āļ´āļœේ āļąූāļ­āļą āˇƒāļ¸ාāļĸāļē āļ‘⎄ි āļ­ාāļš්⎂āļĢිāļš āˇ„ා ⎀ිāļ¯්‍āļēාāļ­්āļ¸āļš āļĸāļēāļœ්‍āļģ⎄āļĢ āļœැāļą āˇ€āļģ්āļ­āļ¸ාāļąāļēේ ⎀ිāļ¯්‍āļēාāļĨāļēිāļą් āļ‹āļŠāļŸු āļŊෙ⎃ āļ†āļŠāļ¸්āļļāļģ ⎀āļąු āļ¯ැāļšිāļē ⎄ැāļšි āļąāļ¸ුāļ­් āļ…āļ´āļ§ āļ­āˇ€āļ¸āļ­් ⎅āļŸා⎀ීāļ¸āļ§ āˇ€āļ­් āļąො⎄ැāļšි āļ­āļģāļ¸් āļ…āļ¯්⎀ිāļ­ීāļē āļ¯ැāļąුāļ¸āļš් āļ…āļ´āļœේ āļ¸ුāļ­ුāļą් āļ¸ිāļ­්āļ­āļą් ⎃āļ­ු⎀ූ āļļ⎀ āļ´ි⎅ිāļœැāļąීāļ¸āļ§ āļ…āļ´āļ§ āˇƒිāļ¯ු⎀ේ.āļ´ැāļģැāļą්āļąāļą් āļŊෙ⎀ිāļ§ේ⎂āļą් āļ´්‍āļģāļœුāļĢ āļšāˇ…ේāļ¯?"āļ‘āļē āļšāˇ…ේ  āļšෙ⎃ේāļ¯? āļ­āˇ€āļ¸āļ­් āļ…āļˇිāļģāˇ„āˇƒāļšි.



The reason why the Giza Pyramids' south entrance and anti-gravity machines, which were used in their construction 36,000 years ago, were discovered in the 19th and 20th centuries, but hidden from the world.

 


36,000 years ago the south entrance of the Pyramids of Giza and the anti-gravity machines used in their construction 36,000 years ago were discovered in the 19th and 20th centuries, but the reason was hidden from the world 😊💞

In some old photographs of the Great Pyramid, a faint outline of what is said to be the southern gate of the pyramid can be seen. In these 19th and 20th century photographs, when the pyramids were partially covered with sand, this southern entrance was at ground level.

Although there is no known information about the entrance to the pyramid, the entrance is mentioned in the book "Land of Osiris" by the American Egyptologist Stephen Moller. The book states that Flinders Petrie, along with American archaeologist J. O. Kinnaman, discovered the southern entrance to the pyramid. It led to hidden rooms containing ancient records of a past civilization and the "anti-gravity machines" used in the pyramid's construction, as well as records that the pyramid was built 36,000 years ago, he says.

Kinnaman, a scholar, told a lecture to a small audience of Freemasons in Northern California, later recorded on cassette tape, before the end of his life in 1955. (He was born on February 23, 1877, 11 miles north of Bryan, Ohio, and on a one-mile farm to the east. He was the only child of wealthy parents, his father was a physician and Harvard graduate. In his childhood, Kinnaman developed an early interest in antiquities by collecting arrowheads and other indigenous artifacts around his parents' farm. He graduated from high school at age 15 and was Licensed as a teacher in the state of Ohio at 16. He was the second youngest student to enter Tri-State College in Angola, Indiana in 1894.

He majored in a classics course specializing in Greek and Latin literature, ancient history, philology, and classical archaeology. In 1900, Kinnaman entered the University of Chicago to pursue graduate studies in Greek and classical archaeology. While at the University of Chicago he studied medicine for three years but never completed the MD degree)

In response to this question, Kinnaman stated that the information was amazing and that he and Petrie had decided that the world was not ready to accept those valuable facts because the world would laugh at them like madmen by publishing them at a time when people were not intelligent and curious enough to accept them.

Stephen Moller explores Petrie's relationship with Kinnaman and the details of their discoveries in more detail: "Kinnaman claimed that there was no written evidence of their discoveries in the Great Pyramid. When he and Petri reported to the government what they had managed to find, Kinnaman claimed that it was not revealed to the world. He suffered alone, keeping it a secret until his death as governments threatened him and signed him

 Kinnaman stated that in their findings, they also decided that society was not yet ready to accept the ability to overcome gravity and their discoveries of the Great Pyramid." Along with Petrie Kinnaman, the government told Kinnaman to establish the Bible as a historical as well as a literary document through archaeology. , only in its pure original form. After more than 50 years in the field, Kinnaman traveled around the world seven times in pursuit of knowledge. As a real-world explorer, he lived with a remote Eskimo tribe in the Arctic for six months, and the Jivaro chief hunters of South America. captured by and spent some time with African cannibal tribes. He was one of the first archaeologists to explore the catacombs of Rome. Although there is no direct evidence of the friendship in biographies or letters, there is circumstantial evidence. Thus, Stephen Mellor writes, both of them at the British Foundation for the Study of Palestine, were members of the Victorian Institute of Great Britain, and Petrie's S It is said that two Gayan regularly contributed articles to the American Antiquarian and Oriental Journal, of which he was the author.

Egyptologists such as Zaki Hawass and Mark Lehner deliberately created an informative "scientific" background around the pyramids, drowning out alternative theories. Lehner, who had initially supported the theory of an ancient highly advanced civilization behind the construction of the pyramids, suddenly began to promote the official story, enlisted the support of Saki Hawass, and gained a complete monopoly on the study of the pyramids in Egypt without any restrictions. Lehner actively rejected Robert Schoch's theory of rain erosion of the Sphinx. Arguing that some modern erosion. In the 1990s, Robert Schoch demonstrated that the furrows on the body of the Sphinx and the trenches around it were eroded by rain. According to the official chronology of 8000 years, Egypt did not experience such heavy rains as would have left such signs of erosion.

Kinnaman stated that one of the functions of the Great Pyramid was the giant radio or messaging system. Stored in a chamber 1,100 feet below the rock on the Giza plateau, the Egyptian priests were able to send telepathic messages around the world thanks to the massive crystals, said Dr. Albert J., president, and executive director of the foundation. According to McDonald, one of the places where Kinnaman said he sent these messages was the Grand Canyon.


 

āˇ€āˇƒāļģ 36,000 āļšāļ§ āļ´ෙāļģ āļ”⎀ුāļą්āļœේ āļ‰āļ¯ිāļšිāļģීāļ¸් ⎃āļŗāˇ„ා āļˇා⎀ිāļ­ා āļšāļģāļą āļŊāļ¯ āļœී⎃ා āļ´ිāļģāļ¸ීāļŠāļēේ āļ¯āļšුāļĢු āļ´ි⎀ි⎃ුāļ¸āˇƒāˇ„ āļœුāļģුāļ­්⎀ාāļšāļģ්⎂āļĢ āˇ€ිāļģෝāļ°ී āļēāļą්āļ­්‍āļģ 19 ⎀āļą āˇƒāˇ„ 20 ⎀āļą āˇāļ­āˇ€āļģ්⎂ ⎀āļŊ ⎃ොāļēා āļœāļ­්āļ­āļ¯ āļŊෝāļšāļēෙāļą් ⎃ැāļŸāˇ€ූ ⎄ේāļ­ු⎀ 😊💞

āļ¸āˇ„ා āļ´ිāļģāļ¸ීāļŠāļēේ ⎃āļ¸āˇ„āļģ āļ´ැāļģāļĢි āļĄාāļēාāļģූāļ´āˇ€āļŊ, āļ´ිāļģāļ¸ීāļŠāļēේ āļ¯āļšුāļĢු āļ¯ොāļģāļ§ු⎀ āļēැāļēිāļšිāļēāļąු āļŊāļļāļą āˇƒු⎅ු āļ¯āˇ… ⎃āļ§āˇ„āļąāļš් āļ¯ැāļšිāļē ⎄ැāļšිāļē. āļ¸ෙāļ¸ 19 ⎀āļą āˇƒāˇ„ 20 ⎀āļąāˇāļ­āˇ€āļģ්⎂⎀āļŊ āļĄාāļēාāļģූāļ´āˇ€āļŊ, āļ´ිāļģāļ¸ීāļŠ āļ…āļģ්āļ° āˇ€āˇāļēෙāļą් ⎀ැāļŊි ⎀āļŊිāļą් ⎀ැ⎃ී āļ‡āļ­ි⎀ිāļ§, āļ¸ෙāļ¸ āļ¯āļšුāļĢු āļ´ි⎀ි⎃ුāļ¸ āļļිāļ¸් āļ¸āļ§්āļ§āļ¸ේ ⎀ිāļē.

āļ´ිāļģāļ¸ීāļŠāļē āļ­ුāļŊāļ§ āļ´්‍āļģ⎀ේ⎁āļē ⎀ීāļ¸ āļ´ි⎅ිāļļāļŗ āļ´්‍āļģ⎃ිāļ¯්āļ° āļ­ොāļģāļ­ුāļģāļš් āļąොāļ¸ැāļ­ි ⎀ු⎀āļ¯ āļ‘āļ¸ āļ´ි⎀ි⎃ුāļ¸ āļ´ි⎅ිāļšāļŗ āļ‡āļ¸āļģිāļšාāļąු āļŠāļĸිāļ´්āļ­ු ⎀ිāļ¯්‍āļēාāļĨ⎃්āļ§ී⎀āļą් āļ¸ොāļŊāļģ් ⎀ි⎃ිāļą් "Land of Osiris" āļąāļ¸් āļœ්‍āļģāļą්āļŽāļēේ ⎃āļŗāˇ„āļą් ⎀ේ. āļ´ොāļ­ේāļšිāļēāļąāˇ€ා Flinders Petrie, āļ‡āļ¸āļģිāļšාāļąු āļ´ුāļģා⎀ිāļ¯්‍āļēාāļĨ J. O. Kinnaman ⎃āļ¸āļœ āļ‘āļš්⎀ āļ´ිāļģāļ¸ීāļŠāļēේāļ¯āļšුāļĢු āļ¯ොāļģāļ§ු⎀ ⎃ොāļēා āļœāļ­් āļļ⎀ āļ´ොāļ­ේ ⎃āļŗāˇ„āļą් ⎀ේ. āļ‘āļē āļ…āļ­ීāļ­ āˇි⎂්āļ§ාāļ ාāļģāļēāļš āļ‰āļ´ැāļģāļĢි ⎀ාāļģ්āļ­ා āˇƒāˇ„ āļ´ිāļģāļ¸ීāļŠāļēේ āļ‰āļ¯ිāļšිāļģීāļ¸් ⎃āļŗāˇ„ා āļˇා⎀ිāļ­ා āļšāļģāļą āļŊāļ¯"āļ´්‍āļģāļ­ි-āļœුāļģුāļ­්⎀ාāļšāļģ්⎂āļĢ āļēāļą්āļ­්‍āļģ" āļ¸ෙāļą්āļ¸ āļ´ිāļģāļ¸ීāļŠāļē āļ¸ීāļ§ āˇ€āˇƒāļģ 36,000 āļšāļ§ āļ´ෙāļģ āļ‰āļ¯ිāļšāļģāļą āļŊāļ¯āļļ⎀āļ§ āˇ€ාāļģ්āļ­ා āļ…āļŠංāļœු ⎃ැāļŸāˇ€ුāļĢු āļšාāļ¸āļģ⎀āļŊāļ§ āļ¸āļŸ āļ´ෑāļ¯ීāļē āļēී āļ”⎄ු ⎃āļŗāˇ„āļą් āļšāļģāļēි.

⎀ි⎁ාāļģāļ¯āļēෙāļšු ⎀ූ āļšිāļą්āļąāļ¸āļą්, āļ‹āļ­ුāļģු āļšැāļŊි⎆ෝāļąිāļēා⎀ේ ⎆්‍āļģීāļ¸ේ⎃āļą්⎀āļģුāļą්āļœේ āļšුāļŠා āļ´්‍āļģේāļš්⎂āļš āļ´ිāļģි⎃āļšāļ§ āļ¯ේ⎁āļąāļēāļšāļ¯ී āļ’ āļœැāļą āļšිāļēා ⎃ිāļ§ිāļēේāļē, āļ´āˇƒු⎀ āļšැ⎃āļ§් āļ´āļ§āļēේ āļ´āļ§ිāļœāļ­ āļšāļģāļą āļŊāļ¯ී, 1955 āļ¯ී āļ”⎄ුāļœේ āļĸී⎀ිāļ­āļēේ āļ…āˇ€āˇƒාāļąāļē āļ‹āļ¯ා ⎀ිāļē.(āļ”⎄ු āļ‹āļ´āļ­ āļŊැāļļු⎀ේ 1877 āļ´ෙāļļāļģ⎀ාāļģි 23 ⎀ැāļąිāļ¯ාāļē. āļ”⎄ිāļēෝ ⎄ි āļļ්‍āļģāļēāļą් ⎃ිāļ§ āˇƒැāļ­āļ´ුāļ¸්11 āļš් āļ‹āļ­ුāļģිāļą් āˇƒāˇ„ ⎃ැāļ­āļ´ුāļ¸් āļ‘āļšāļš් āļąැāļœෙāļąāˇ„ිāļģිāļą් āļœො⎀ිāļ´āļŊ. āļ”⎄ු āļ°āļąāˇ€āļ­් āļ¯ෙāļ¸āˇ€්āļ´ිāļēāļą්āļœේ āļ‘āļšāļ¸ āļ¯āļģු⎀ා⎀ූ āļ…āļ­āļģ āļ”⎄ුāļœේ āļ´ිāļēා ⎀ෛāļ¯්‍āļē⎀āļģāļēෙāļšු āˇƒāˇ„ ⎄ා⎀āļŠ් āļ‹āļ´ාāļ°ිāļ°ාāļģිāļēෙāļšි.āļ”⎄ුāļœේ ⎅āļ¸ා ⎀ිāļēේāļ¯ී, āļšිāļą්āļąāļ¸āļą් āļ­āļ¸ āļ¯ෙāļ¸ාāļ´ිāļēāļą්āļœේ āļœො⎀ිāļļිāļ¸් ⎀āļ§ා āļŠāļ­āļŊ āˇƒāˇ„ ⎀ෙāļąāļ­් ⎃්⎀āļ¯ේ⎁ිāļšāļšෞāļ­ුāļš āˇ€āˇƒ්āļ­ු āļ‘āļš්āļģැ⎃් āļšිāļģීāļ¸ āļąි⎃ා āļ´ුāļģාāˇ€āˇƒ්āļ­ු āļšෙāļģෙ⎄ි āļ¸ුāļŊ් āļ‹āļąāļą්āļ¯ු⎀āļš් āļ‡āļ­ි āļšāˇ…ේāļē. āļ”⎄ු⎀āļē⎃ āļ…⎀ුāļģුāļ¯ු 15 āļ¯ී āļ‹āˇƒāˇƒ් āļ´ා⎃āļŊෙāļą් āļ‹āļ´ාāļ°ිāļē āļŊāļļා āļ‡āļ­ි āļ…āļ­āļģ 16 āļ¯ී āļ”⎄ිāļēෝ āļ´්‍āļģාāļą්āļ­āļēේ āļœුāļģු⎀āļģāļēෙāļšුāļŊෙ⎃ āļļāļŊāļ´āļ­්‍āļģ āļŊāļļා āļ‡āļ­. āļ”⎄ු 1894 āļ¯ී āļ‰āļą්āļ¯ිāļēාāļąා ⎄ි āļ‡āļą්āļœෝāļŊා ⎄ි āļ§්‍āļģāļēි-⎃්āļ§ේāļ§් ⎀ිāļ¯්‍āļēාāļŊāļēāļ§āļ‡āļ­ු⎅āļ­් ⎀ූ āļ¯ෙ⎀āļą āļŊාāļļාāļŊāļ­āļ¸ āˇි⎂්‍āļēāļēා ⎀ිāļē.

āļ”⎄ු āļœ්‍āļģීāļš āˇƒāˇ„ āļŊāļ­ිāļą් ⎃ා⎄ිāļ­්‍āļēāļē, āļ´ුāļģාāļĢ āļ‰āļ­ි⎄ා⎃āļē, āļˇා⎂ා ⎀ිāļ¯්‍āļēා⎀ āˇƒāˇ„ ⎃āļ¸්āļˇා⎀්‍āļē āļ´ුāļģා⎀ිāļ¯්‍āļēා⎀āļ´ි⎅ිāļļāļŗ āˇ€ි⎁ේ⎂āļĨ āļ¯ැāļąුāļ¸āļš් āļŊāļļා āļœāļ­් ⎃āļ¸්āļˇා⎀්‍āļē āļ´ාāļ¨āļ¸ාāļŊා⎀āļš් āļ”⎄ුāļœේ āļ´්‍āļģāļ°ාāļą āˇ€ේ. 1900 āļ¯ී, āļšිāļą්āļąāļ¸āļą්āļ ිāļšාāļœෝ ⎀ි⎁්⎀ ⎀ිāļ¯්‍āļēාāļŊāļēāļ§ āļ‡āļ­ු⎅ු ⎀ූāļēේ āļœ්‍āļģීāļš āˇ„ා ⎃āļ¸්āļˇා⎀්‍āļē āļ´ුāļģා⎀ිāļ¯්‍āļēා⎀ āļ´ි⎅ිāļļāļŗ āļ‹āļ´ාāļ°ිāļšāļ§āļēුāļ­ු ⎄ැāļ¯ෑāļģීāļ¸ āˇƒāļŗāˇ„ා āļē. āļ ිāļšාāļœෝ ⎀ි⎁්⎀ ⎀ිāļ¯්‍āļēාāļŊāļēේ ⎃ිāļ§ිāļēāļ¯ී āļ”⎄ු āˇ€āˇƒāļģ āļ­ුāļąāļš් ⎀ෛāļ¯්‍āļē⎀ිāļ¯්‍āļēා⎀ ⎄ැāļ¯ෑāļģූ āļąāļ¸ුāļ­් āļšි⎃ි ⎀ිāļ§ෙāļšāļ­් MD āļ‹āļ´ාāļ°ිāļē ⎃āļ¸්āļ´ූāļģ්āļĢ āļšāˇ…ේ āļąැāļ­)

.āļšිāļą්āļąāļ¸āļą් āļ¸ෙāļ¸ āļ´්‍āļģ⎁්āļąāļēāļ§ āļ´ි⎅ිāļ­ුāļģු āļŊෙ⎃ āļ´්‍āļģāļšා⎁ āļšāˇ…ේ āļ‘āļ¸ āļ­ොāļģāļ­ුāļģු  ⎀ි⎁්āļ¸ිāļ­ āļ’⎀ා ⎀ූ āļļ⎀āļ­් āļ’⎀ා āļ´ි⎅ිāļœැāļąීāļ¸āļ§ āļ­āļģāļ¸් āļļුāļ¯්āļ°ිāļ¸āļ­් ⎄ා āļšුāļ­ු⎄āļŊāļē āļ´ිāļģි āļ´ිāļģි⎃් āļļි⎄ි ⎀ී āļąොāļ­ිāļļූ āļ‘⎀āļšāļ§ āļ’⎀ා āļ´āˇ…āļšිāļģීāļ¸ෙāļą් āļ”⎀ුāļą් āļ‹āļą්āļ¸āļ­්āļ­āļšāļēāļą් ⎃ේ āļŊෝāļšāļēා ⎃ිāļąා⎃ෙāļąු āļ‡āļ­ි āļąි⎃ා āļ‘āļ¸ āˇ€āļ§ිāļąා āļšāļģුāļĢු āļ´ි⎅ිāļœැāļąීāļ¸āļ§ āļŊෝāļšāļē ⎃ූāļ¯ාāļąāļ¸් āļąැāļ­ි āļļ⎀āļ§ āļ­āļ¸ා āˇƒāˇ„ āļ´ෙāļ§්‍āļģි āļ­ීāļģāļĢāļē āļšāļģ āļąි⎄āļŦ⎀ූ āļļ⎀āļēි.

⎃්āļ§ී⎀āļą් āļ¸ෝāļŊāļģ් āļšිāļą්āļąāļ¸āļą් ⎃āļ¸āļŸ āļ´ෙāļ§්‍āļģිāļœේ ⎃āļ¸්āļļāļą්āļ°āļē āˇƒāˇ„ āļ”⎀ුāļą්āļœේ ⎃ොāļēාāļœැāļąීāļ¸් āļ´ි⎅ිāļļāļŗ āļ­ොāļģāļ­ුāļģු ⎀āļŠාāļ­් ⎀ි⎃්āļ­āļģාāļ­්āļ¸āļšāˇ€ āļœāˇ€ේ⎂āļĢāļē āļšāˇ…ේāļē:"āļ¸āˇ„ා āļ´ිāļģāļ¸ීāļŠāļēේ āļ”⎀ුāļą්āļœේ ⎃ොāļēාāļœැāļąීāļ¸් āļ´ි⎅ිāļļāļŗ āļŊිāļ›ිāļ­ āˇƒාāļš්⎂ි āļąොāļ¸ැāļ­ි āļļ⎀ āļšිāļą්āļąāļ¸āļą් āļšිāļēා⎃ිāļ§ිāļēේ āļ”⎄ු āˇƒāˇ„ āļ´ෙāļ§්‍āļģි āļ”⎀ුāļą් ⎃ොāļēා āļœැāļąීāļ¸āļ§ āˇƒāļ¸āļ­් ⎀ූ āļ¯ේ āļ´ි⎅ිāļļāļŗ āļ­ොāļģāļ­ුāļģු āļģāļĸāļēāļ§ āˇ€ාāļģ්āļ­ා āļšāˇ… ⎀ිāļ§ āļ’⎀ා āļŊෝāļšāļēāļ§ āˇ„ෙ⎅ිāļąොāļšāļģāļą āļŠāļĸිāļ´්āļ­ු⎀ේ āˇƒāˇ„ āļ¸āˇ„ා āļļ්‍āļģිāļ­ාāļą්‍āļēāļēේ āļģāļĸāļēāļą් ⎀ි⎃ිāļą් āļ”⎄ුāļ§ āļ­āļģ්āļĸāļąāļē  āļšොāļ§ āļ…āļ­්⎃āļą් āļœāļ­්  āļļැ⎀ිāļą් āļ¸ිāļē āļēāļą āļ­ුāļģුāļ¸āļ‘āļē āļģāˇ„āˇƒāļš් āļŊෙ⎃ āļ­āļļා āļœāļąිāļ¸ිāļą් āļ”⎄ු āļ­āļąි⎀āļ¸ āˇ€ිāļŗāˇ€ූāļēේāļē

 āļšිāļą්āļąāļ¸āļą් āļ´්‍āļģāļšා⎁ āļšāˇ…ේ āļ”⎀ුāļą්āļœේ ⎃ොāļēාāļœැāļąීāļ¸්⎀āļŊāļ¯ී, āļœුāļģුāļ­්⎀ාāļšāļģ්⎂āļĢāļē āļĸāļē āļœැāļąීāļ¸ේ ⎄ැāļšිāļēා⎀ āˇƒāˇ„ āļ¸āˇ„ා āļ´ිāļģāļ¸ීāļŠāļēේ āļ”⎀ුāļą් ⎀ි⎃ිāļą් āļšāļģāļą āļŊāļ¯āˇƒොāļēාāļœැāļąීāļ¸් āļ´ි⎅ිāļļāļŗāˇ€ āļ´ි⎅ි āļœැāļąීāļ¸āļ§ āˇƒāļ¸ාāļĸāļē āļ­āˇ€āļ¸āļ­් ⎃ූāļ¯ාāļąāļ¸් āļąැāļ­ි āļļ⎀ āļ”⎀ුāļą්āļ¯ āļ­ීāļģāļĢāļē āļšāˇ… āļļ⎀āļēි."āļ´ෙāļ§්‍āļģි āļšිāļą්āļąāļ¸āļą් ⎃āļ¸āļŸ āļ´ුāļģා⎀ිāļ¯්‍āļēා⎀ āļ¸āļœිāļą් āļļāļēිāļļāļŊāļē āļ“āļ­ි⎄ා⎃ිāļš āļ¸ෙāļą්āļ¸ āˇƒා⎄ිāļ­්‍āļē āļŊේāļ›āļąāļēāļš් āļŊෙ⎃ ⎃්āļŽාāļ´ිāļ­āļšāļģāļą āļŊෙ⎃ āļģāļĸāļē āļšිāļą්āļąāļ¸āļą්āļ§ āļ´්‍āļģāļšා⎁ āļšāˇ…⎄.āļąāļ¸ුāļ­්, āļ‘āļē āļ´ිāļģි⎃ිāļ¯ු āļ¸ුāļŊ් ⎃්⎀āļģූāļ´āļēෙāļą් āļ´āļ¸āļĢි. āļš්⎂ේāļ­්‍āļģāļēේāˇ€āˇƒāļģ 50āļšāļ§ āˇ€ැāļŠි āļšාāļŊāļēāļš් āļœāļ­ āļšāˇ… āļšිāļą්āļąāļ¸āļą් āļ¯ැāļąුāļ¸ āˇ„āļšා āļēෑāļ¸ේ āļ…āļģāļ¸ුāļĢිāļą් ⎄āļ­් ⎀āļ­ා⎀āļš් āļŊො⎀ ⎀āļ§ා āļœāļ¸āļą් āļšāˇ…ේāļē. ⎃ැāļļෑ āļŊෝāļš āļœāˇ€ේ⎂āļšāļēෙāļšු āļŊෙ⎃, āļ”⎄ු āļ¸ා⎃ ​​⎄āļēāļš් āļ†āļš්āļ§ිāļš් āļ´්‍āļģāļ¯ේ⎁āļēේ āļ¯ුāļģ⎃්āļŽ āļ‘āˇƒ්āļšිāļ¸ෝ⎃් āļœෝāļ­්‍āļģāļēāļš් ⎃āļ¸āļŸ āļĸී⎀āļ­් ⎀ූ āļ…āļ­āļģ, āļ¯āļšුāļĢු āļ‡āļ¸āļģිāļšා⎀ේ āļĸි⎀ාāļģෝ āļ´්‍āļģāļ°ාāļą āļ¯āļŠāļēāļ¸්āļšāļģු⎀āļą් ⎀ි⎃ිāļą් āļ…āļŊ්āļŊා āļœāļą්āļąා āļŊāļ¯ āļ…āļ­āļģ āļ…āļ´්‍āļģිāļšාāļąු āļ¸ිāļąීāļ¸āļģු āļœෝāļ­්‍āļģිāļšāļēāļą් ⎃āļ¸āļŸ āļēāļ¸්āļšාāļŊāļēāļš් āļœāļ­ āļšāˇ…ේāļē. āļ”⎄ු āļģෝāļ¸āļēේ āļšැāļ§āļšොāļ¸්āļļ⎃් āļœāˇ€ේ⎂āļĢāļē āļšāˇ… āļ´āˇ…āļ¸ු āļ´ුāļģා⎀ිāļ¯්‍āļēාāļĨāļēāļą්āļœෙāļą් āļšෙāļąෙāļšි.āļ‡āļ­ි āļ¸ිāļ­්‍āļģāļ­්⎀āļē āļ´ි⎅ිāļļāļŗ āļ āļģිāļ­ාāļ´āļ¯ාāļąāˇ€āļŊ ⎄ෝ āļŊිāļ´ි⎀āļŊ ⎃ෘāļĸු ⎃ාāļš්⎂ිāļąොāļ¸ැāļ­ි ⎀ු⎀āļ¯, āļ´āļģි⎀ේ⎁āļąීāļē ⎃ාāļš්⎂ි āļ­ිāļļේ. āļ¸ේ āļ…āļąු⎀, ⎃්āļ§ී⎀āļą් āļ¸ෙāļŊāļģ් āļŊිāļēāļą්āļąේāļ”⎀ුāļą් āļ¯ෙāļ¯ෙāļąාāļ¸ āļ´āļŊ⎃්āļ­ීāļąāļē āļ´ි⎅ිāļļāļŗ āļ…āļ°්‍āļēāļēāļąāļē ⎃āļŗāˇ„ා ⎀ූ āļļ්‍āļģිāļ­ාāļą්‍āļē āļ´āļ¯āļąāļ¸ේ, āļ¸āˇ„ාāļļ්‍āļģිāļ­ාāļą්‍āļēāļēේ ⎀ිāļš්āļ§ෝāļģිāļēාāļąු āļ†āļēāļ­āļąāļēේ ⎃ාāļ¸ාāļĸිāļšāļēāļą් ⎀ූ āļ…āļ­āļģ, āļ´ෙāļ§්‍āļģිāļœේ ⎃āļœāļēāļą් āļ¯ෙāļ¯ෙāļąෙāļšුāļšිāļą්āļąāļ¸āļą් āļšāļ­ු⎀āļģāļēා ⎀ූ American Antiquarian and Oriental Journal ⎀ෙāļ­āļąිāļ­ිāļ´āļ­ා āļŊිāļ´ි āļŊāļļා āļ¯ුāļą් āļļ⎀āļēි.

Zaki Hawass āˇƒāˇ„ Mark Lehner ⎀ැāļąි āļŠāļĸිāļ´්āļ­ු ⎀ිāļ¯්‍āļēාāļĨāļēිāļą් ⎀ි⎃ිāļą් ⎀ිāļšāļŊ්āļ´ āļą්‍āļēාāļēāļą් āļœිāļŊ්⎀ා āļ¯āļ¸ා āļ´ිāļģāļ¸ීāļŠ āˇ€āļ§ා āļ­ොāļģāļ­ුāļģු "⎀ිāļ¯්‍āļēාāļ­්āļ¸āļš" āļ´āˇƒුāļļිāļ¸āļš් ⎄ිāļ­ාāļ¸āļ­ාāļ¸ āļąිāļģ්āļ¸ාāļĢāļē āļšāˇ…⎄. āļ´ිāļģāļ¸ීāļŠ āļ‰āļ¯ිāļšිāļģීāļ¸ āļ´ිāļ§ුāļ´āˇƒ āļ‡āļ­ි āļ´ුāļģාāļĢ āļ‰āļ­ා āļ¯ිāļēුāļĢු ⎁ි⎂්āļ§ාāļ ාāļģāļēේ āļą්‍āļēාāļēāļ§ āļ¸ුāļŊāļ¯ී āˇƒāˇ„ාāļē āļ¯ුāļą් āļŊෙ⎄්āļąāļģ්, ⎄āļ¯ි⎃ිāļēේāļ¸ āļąිāļŊ āļšāļ­ා⎀ āļ´්‍āļģ⎀āļģ්āļ°āļąāļēāļšිāļģීāļ¸āļ§ āļ´āļ§āļą් āļœāļ­් āļ…āļ­āļģ, ⎃āļšී ⎄⎀ා⎃්āļœේ āˇƒāˇ„ාāļē āļŊāļļා āļœāļ­් āļ…āļ­āļģ āļšි⎃ිāļ¯ු ⎃ීāļ¸ා⎀āļšිāļą්āļ­ොāļģ⎀ āļŠāļĸිāļ´්āļ­ු⎀ේ āļ´ිāļģāļ¸ිāļŠ āļ…āļ°්‍āļēāļēāļąāļē āļ´ි⎅ිāļļāļŗ āˇƒāļ¸්āļ´ූāļģ්āļĢ āļ’āļšාāļ°ිāļšාāļģāļēāļš්āļŊāļļා āļœāļ­්āļ­ේāļē.āļŊෙ⎄්āļąāļģ් āļģොāļļāļ§් ⎂ෝāļ ්āļœේ ⎃්āļ´ිāļą්āļš්⎃් ⎄ි ⎀ැ⎃ි āļ›ාāļ¯āļąāļē āļ´ි⎅ිāļļāļŗ āļą්‍āļēාāļē āļš්‍āļģිāļēාāļšාāļģී⎀āļ´්‍āļģāļ­ිāļš්⎂ේāļ´ āļšāˇ…ේ āļ‘āļē āļšි⎃ිāļēāļ¸් āļąāˇ€ීāļą āļ›ාāļ¯āļąāļēāļš් āļļ⎀ āļ­āļģ්āļš āļšāļģāļ¸ිāļąි. 1990 āļœāļĢāļą්⎀āļŊāļ¯ීāļģොāļļāļ§් ⎂ෝāļ ් ⎀ි⎃ිāļą් ⎃්āļ´ිāļą්āļš්⎃්āļœේ ⎃ිāļģුāļģේ āˇƒāˇ„ āļ’ āˇ€āļ§ා āļ‡āļ­ි āļ…āļœāļŊ්⎀āļŊ āļ‡āļ­ි ⎀ිāļŊි ⎀ැ⎃ි āļ›ාāļ¯āļąāļēāļļ⎀ āļ”āļ´්āļ´ු āļšāˇ…ේāļē. āˇ€āˇƒāļģ 8000 āļš āļąිāļŊ āļšාāļŊාāļąුāļš්‍āļģāļ¸āļēāļ§ āļ…āļąු⎀ āļ‘⎀ැāļąි āļ›ාāļ¯āļąāļē ⎀ීāļ¸ේ ⎃āļŊāļšුāļĢුāļ‰āļ­ිāļģි āļšāˇ… ⎄ැāļšි āļ‘⎀ැāļąි āļ…āļ°ිāļš āˇ€āļģ්⎂ා⎀āļš් āļŠāļĸිāļ´්āļ­ු⎀ේ āļąොāļ­ිāļļුāļĢි.

āļšිāļą්āļąāļ¸āļą් āļ´්‍āļģāļšා⎁ āļšāˇ…ේ āļ¸āˇ„ා āļ´ිāļģāļ¸ීāļŠāļēේ āļ‘āļš් āļšාāļģ්āļēāļēāļš් ⎀ූāļēේ āļēෝāļ° āļœු⎀āļą්⎀ිāļ¯ුāļŊි ⎄ෝ āļ´āļĢි⎀ිāļŠ āˇ„ු⎀āļ¸ාāļģු āļ´āļ¯්āļ°āļ­ිāļē āļļ⎀āļēි. āļœී⎃ා ⎃ාāļąු⎀ේ āļ´ා⎂ාāļĢāļēෙāļą් āļ…āļŠි 1,100 āļš් āļ´āˇ„⎅ිāļą් āļ´ි⎄ිāļ§ි āļšුāļ§ිāļēāļš āļœāļļāļŠාāļšāļģ āļ‡āļ­ි āļ¯ැ⎀ැāļą්āļ­ āļ´āˇ…ිāļŸු āļąි⎃ා, āļŠāļĸිāļ´්āļ­ු āļ´ූāļĸāļšāļēāļą්āļ§ āļŊො⎀ āļ´ුāļģා āļ§ෙāļŊිāļ´āļ­ිāļ´āļĢි⎀ිāļŠ āļēැ⎀ීāļ¸āļ§ āˇ„ැāļšි ⎀ිāļē.āļ´āļ¯āļąāļ¸ේ ⎃āļˇාāļ´āļ­ි āˇƒāˇ„ ⎀ිāļ°ාāļēāļš āļ…āļ°්‍āļēāļš්⎂ āļ†āļ ාāļģ්āļē āļ‡āļŊ්āļļāļ§් āļĸේ. āļ¸ැāļš්āļŠොāļąāļŊ්āļŠ් āļ´āˇ€āˇƒāļąāļ´āļģිāļ¯ි, āļšිāļą්āļąāļ¸āļą් ⎀ි⎃ිāļą් āļ¸ෙāļ¸ āļ´āļĢි⎀ිāļŠ āļ‘⎀ූ āļļ⎀ āļ´ැāˇ€āˇƒූ āļ‘āļš් ⎃්āļŽාāļąāļēāļš් ⎀āļą්āļąේ āļœ්‍āļģෑāļą්āļŠ් āļšැāļąිāļēොāļą් āļē.1909 āļ¯ී āļœ්‍āļģෑāļą්āļŠ් āļšැāļąිāļēāļą් ⎄ි ⎃ොāļēා āļœැāļąීāļ¸ āļœැāļą āļšිāļą්āļąāļ¸āļą් āļ¯ැāļą āˇƒිāļ§ිāļą්āļąāļ§ āļ‡āļ­ි āļ…āļ­āļģāļ¸āˇ„ාāļ ාāļģ්āļē āļ‘āˇƒ්.āļ’. āļĸෝāļģ්āļŠāļą් āļ´āˇ€ා āļ¯ැāļą āˇƒිāļ§ි āļąāļ¸ුāļ­් āļ’ āļ´ි⎅ිāļļāļŗ āļŊිāļēāļšිāļē⎀ිāļŊි āļ…āļ´ āˇƒāļ­ු⎀ āļąොāļ¸ැāļ­.āļēāļ¸ෙāļš් āļ”⎄ුāļœේ āļ¯ේ⎁āļą āļšෙāļģෙ⎄ි āļ…⎀āļ°ාāļąāļē āļēොāļ¸ු āļšāļģāļą්āļąේ āļąāļ¸්, āļšිāļą්āļąāļ¸āļą් ⎀ි⎃ිāļą් āļ¯āļšුāļĢුāļ¸ු⎄ුāļĢāļ­ෙ⎄ි āļ¯ොāļģāļ§ු⎀āļš් ⎄ෝ āļ´ුāļģාāļĢ āˇ€ාāļģ්āļ­ා āˇƒāˇ„ිāļ­ āļšාāļ¸āļģ ⎄ෝ āļ¸āˇ„ා āļ´ිāļģāļ¸ීāļŠāļēේ āļ´්‍āļģාāļœ්āļ“āļ­ි⎄ා⎃ිāļš āļ´ෞāļģාāļĢිāļšāļ­්⎀āļē ⎃ොāļēා āļœැāļąීāļ¸ āļ´්‍āļģāļļāļą්āļ° āļąොāļšāˇ… āļļ⎀ āļąි⎃ැāļšāļē.

āļšිāļą්āļąāļ¸āļą් āļšිāļēා ⎃ිāļ§ිāļēේ āļšāˇ€āļ¯ා ⎄ෝ āļ‘āļ¸ āļ­ොāļģāļ­ුāļģු ⎃āļŗāˇ„ා āļŊෝāļšāļē ⎃ූāļ¯ාāļąāļ¸් ⎀āļąු āļ‡āļ­ැāļēි āļ­āļ¸āļą්⎀ි⎁්⎀ා⎃ āļšāļģāļą āļļ⎀āļ­් āļ‘āļē āļ”⎄ුāļœේ āļ¸āļģāļĢāļēෙāļą් āļ´āˇƒු āļ‰āļš්āļ¸āļąිāļą් ⎀āļąු āļ‡āļ­ි āļļ⎀āļ­්āļē. āļ‘āļļැ⎀ිāļą්, Cheopsāļ´ිāļģāļ¸ීāļŠāļēāļ§ āˇƒāˇ„ āļģāˇ„āˇƒ් āļšුāļ§ිāļēāļ§ āļ¯āļšුāļĢු āļ´්‍āļģ⎀ේ⎁āļē āļ´්‍āļģāļ°ාāļą āļ¸ෙ⎄ෙāļēුāļ¸ේ āļŠāļĸිāļ´්āļ­ු ⎀ිāļ¯්‍āļēාāļĨāļēිāļą් ⎀ි⎃ිāļą් āļĨාāļąāˇ€āļą්āļ­āˇ€ āļ†āļģāļš්⎂ා āļšāļģāļą āļŊāļ¯ී.

fossilized dinosaur eggs found in China āļ ීāļąāļēෙāļą් ⎄āļ¸ු⎀āļą āļŠāļēිāļąāˇƒෝāļģ āļļිāļ­්āļ­āļģ




 Dinosaur eggs found in China

The unusual discovery was made when a 10-year-old Chinese boy was playing on an embankment on the bank of the Dong River in Heyuan, South China's Guangdong Province. While playing on the embankment, he saw a "strange stone" on the ground and alerted local museum experts to the site and excavated a nest of 11 dinosaur eggs. They confirmed that it was an accidentally fossilized dinosaur nest of 11 dinosaur eggs believed to be from the late Cretaceous period, about 66 million years ago.

Experts believe each of the 11 eggs is about nine centimeters (3.5 inches) long and dates back to the late Cretaceous period, about 66 million years before the ancient beasts went extinct.

The third-grader said he initially noticed a 'strange rock' in the soil, but upon closer inspection realized it might be an egg. Experts confirmed his conclusion before digging up another 10 eggs nearby.

Heyuan, a city of three million people, is considered the 'home of the dinosaurs' in China. In 2015, road workers in Heyuan were laying a sewage pipe in the center of the city when they discovered a giant cluster of 43 fossilized dinosaur eggs.

 It is said that more than 17,000 dinosaur eggs have been excavated in Heyuan City since 1996. The first recorded dinosaur egg in Heyuan was found in Donggang in March 1996. Since then, more than 17,000 of them have been found in the city

.The Heyuan Dinosaur Museum claims to have 10,008 dinosaur eggs, the largest such collection in the world.

āļ ීāļąāļēෙāļą් ⎄āļ¸ු⎀āļą āļŠāļēිāļąāˇƒෝāļģ āļļිāļ­්āļ­āļģ

āļ ීāļąāļēේ10 ⎄ැ⎀ිāļģිāļ¯ි āļ´ිāļģිāļ¸ි ⎅āļ¸āļēāļšු āļ¯āļšුāļĢු āļ ීāļąāļēේGuangdong āļ´āˇ…ාāļ­ේ Heyuan ⎄ි Dong āļœං āļ‰āˇ€ුāļģේ āļļැāļ¸්āļ¸āļš āˇƒෙāļŊ්āļŊāļ¸් āļšāļģāļ¸ිāļą් ⎃ිāļ§ිāļēāļ¯ී āļ¸ෙāļ¸ āļ…āˇƒාāļ¸ාāļą්‍āļē ⎃ොāļēාāļœැāļąීāļ¸ āˇƒිāļ¯ු āļšāļģāļą āļŊāļ¯ී.āļļැāļ¸්āļ¸ āļš්‍āļģීāļŠා āļšāļģāļ¸ිāļą් ⎃ිāļ§ිāļēāļ¯ී āļļිāļ¸ āļ­ිāļļුāļĢු "āļ…āļ¸ුāļ­ු āļœāļŊāļš්' āļ¯ැāļš āļ…āļ­ි āļ…āļ­āļģ āļ¯ේ⎁ීāļē āļšෞāļ­ුāļšාāļœාāļģ ⎀ි⎁ේ⎂āļĨāļēāļą්āļ§ āļ‘āļ¸ āˇƒ්āļŽාāļąāļē āļ¯ැāļąුāļ¸් āļ¯ී āļ‡āļ­ි āļ…āļ­āļģ āļŠāļēිāļąෝ⎃ෝāļģ āļļිāļ­්āļ­āļģ11 āļš āļšූāļŠු⎀āļš් āļšැāļĢීāļ¸් āļšāļģāļą āļŊāļ¯ී. āļ‘āļē āˇ€āˇƒāļģ āļ¸ිāļŊිāļēāļą 66 āļšāļ§ āļ´āļ¸āļĢ āļ´ෙāļģ āļš්‍āļģිāļ§ේ⎃ිāļē⎃් āļēුāļœāļēේ āļ…āļœ āļˇාāļœāļēේ ⎃ිāļ§ි āļļ⎀āļ§ āˇ€ි⎁්⎀ා⎃ āļšෙāļģෙāļą āļŠāļēිāļąෝ⎃ෝāļģ āļļිāļ­්āļ­āļģ11āļšිāļą් āļēුāļ­් āļ…⎄āļ¸්āļļෙāļą් ⎆ො⎃ිāļŊීāļšāļģāļĢāļē ⎀ූ āļŠāļēිāļąෝ⎃ෝāļģ āļšූāļŠු⎀āļš් āļļ⎀āļ§ āļ”⎀ුāļą් āļ­āˇ„⎀ුāļģු āļšāļģ āļ­ිāļļේ.

āļ´්‍āļģ⎀ීāļĢāļēāļą් ⎀ි⎁්⎀ා⎃ āļšāļģāļą්āļąේ āļļිāļ­්āļ­āļģ 11⎄ි ⎃ෑāļ¸ āļļිāļ­්āļ­āļģāļēāļš්āļ¸ āļ¯ිāļœāˇƒෙāļą්āļ§ි āļ¸ීāļ§āļģ āļąāˇ€āļēāļš් (āļ…āļŸāļŊ් 3.5) āļ´āļ¸āļĢ āˇ€āļą āļ…āļ­āļģāļ‘āļē āļ´ුāļģාāļĢ āļ¸ෘāļœāļēāļą් ⎀āļŗ āˇ€ීāļ¸āļ§ āļ´ෙāļģ āļš්‍āļģිāļ§ේ⎃ිāļē⎃් āļēුāļœāļēේ āļ…āļœ āļˇාāļœāļē āļ¯āļš්⎀ා āˇ€āˇƒāļģ āļ¸ිāļŊිāļēāļą 66 āļš් āļ´āļ¸āļĢ āļ´ැāļģāļĢි āļļ⎀āļēි.

āļ­ුāļą්⎀āļą āˇ්‍āļģේāļĢිāļēේ  āļ‰āļœෙāļą āļœāļą්āļąා ⎁ි⎂්‍āļēāļēා āļ´ැāˇ€āˇƒු⎀ේ āļ­āļ¸ා āļ¸ුāļŊිāļą් āļ´āˇƒෙ⎄ි 'āļ…āļ¸ුāļ­ු āļœāļŊāļš්' āļ¯ුāļ§ු āļąāļ¸ුāļ­් āļ‘āļē ⎄ොāļŗිāļą් āļ´āļģීāļš්⎂ා āļšිāļģීāļ¸ෙāļą් āļ´āˇƒු āļ‘āļē  āļļිāļ­්āļ­āļģāļēāļš් ⎀ිāļē ⎄ැāļšි āļļ⎀ ⎀āļ§āˇ„ාāļœāļ­් āļļ⎀āļēි. āļ’ āļ…āˇƒāļŊ āļ­āˇ€āļ­් āļļිāļ­්āļ­āļģ 10āļš් āļšැāļĢීāļ¸āļ§ āļ´ෙāļģ ⎀ි⎁ේ⎂āļĨāļēāļą් āļ”⎄ුāļœේ āļąිāļœāļ¸āļąāļē āļ­āˇ„⎀ුāļģු āļšāˇ…⎄.

āļ¸ිāļŊිāļēāļą āļ­ුāļąāļš āļĸāļąāļœāˇ„āļąāļēāļš් ⎃ිāļ§ිāļą āˇ„ෙāļēු⎀ාāļą් āļąāļœāļģāļē āļ ීāļąāļēේ 'āļŠāļēිāļąෝ⎃āļģāļēāļą්āļœේ āļąි⎀⎄āļą' āļŊෙ⎃ ⎃ැāļŊāļšේ.2015 āļ¯ී ⎄ෙāļēු⎀ාāļą් ⎄ි āļ¸ාāļģ්āļœ āˇ€ැāļŠ āļšāļģāļ¸ිāļą් ⎃ිāļ§ි āļšāļ¸්āļšāļģු⎀āļą් āļąāļœāļģ āļ¸āļ°්‍āļēāļēේ āļ…āļ´āļ¯්‍āļģ⎀්‍āļē āļąāļŊāļēāļš් āļ‘⎅āļ¯්āļ¯ී ⎆ො⎃ිāļŊීāļšāļģāļĢāļē⎀ූ āļŊāļ¯ āļŠāļēිāļąෝ⎃ෝāļģ āļļිāļ­්āļ­āļģ 43 āļš āļēෝāļ° āļ´ොāļšුāļģāļš් ⎃ොāļēා āļœāļą්āļąා āļŊāļ¯ී.

 1996 ⎃ිāļ§ Heyuan āļąāļœāļģāļēේ āļŠāļēිāļąො⎃ෝāļģ āļļිāļ­්āļ­āļģ 17,000āļšāļ§ āˇ€ැāļŠි āļ´්‍āļģāļ¸ාāļĢāļēāļš් āļšැāļĢීāļ¸් āļšāļģ āļ‡āļ­ි āļļ⎀ āļ´ැāˇ€āˇƒේ.Heyuan ⎄ි āļ´āˇ…āļ¸ු ⎀ාāļģ්āļ­ාāļœāļ­ āļŠāļēිāļąො⎃ෝāļģ āļļිāļ­්āļ­āļģāļē 1996 āļ¸ාāļģ්āļ­ු āļ¸ා⎃āļēේāļ¯ී āļŠොංāļœāļŸෙāļą් ⎃ොāļēා āļœāļą්āļąා āļŊāļ¯ී. āļ‘āļ­ැāļą් ⎃ිāļ§ āļ’⎀ාāļēිāļą් 17,000 āļšāļ§ āˇ€ැāļŠි āļ´්‍āļģāļ¸ාāļĢāļēāļš් āļąāļœāļģāļēෙāļą් ⎄āļ¸ු⎀ී āļ‡āļ­

.Heyuan Dinosaur āļšෞāļ­ුāļšාāļœාāļģāļēේ āļŠāļēිāļąො⎃ෝāļģ āļļිāļ­්āļ­āļģ 10,008 āļš් āļ‡āļ­ි āļļ⎀āļ´්‍āļģāļšා⎁ āļšāļģāļą āļ…āļ­āļģ āļ‘āļē āļŊෝāļšāļēේ āļ‘⎀ැāļąි ⎀ි⎁ාāļŊāļ­āļ¸ āļ‘āļšāļ­ු⎀ ⎀ේ.

betz mystery sphere - Betz's mystery sphere āļļෙāļ§්⎃්āļœේ āļ…āļˇිāļģāˇ„āˇƒ් āļœෝāļŊāļē



 Betz mystery sphere - Betz's mystery sphere

In 1974, a fire destroyed a large portion of the Betz family forest. Examining the damage, they found a strange metal ball, completely smooth, with only a single oblong triangle symbol on it. Thinking it was some kind of space meteorite, they took it home.

About two weeks later, the Betz family noticed something strange about the metal ball they brought home. The sphere resonates with certain sounds and frequencies (such as the sound of a guitar) and emits a sound similar to that of a butterfly vibrating.

Moreover, Betts discovered that if the ball is pushed across the ground, it will change the direction of its own accord and often return to its original starting point.

Betts then decided to reveal this to the media, and Lon Enger, a photojournalist for the St. Petersburg Times, confirmed the claims:

Lon Enger:-

"[Mrs. Betts.] put it on the ground and told me to give it a push. It rolled a short distance and stopped. After a while, it turned on its own and rolled to the right about four feet. It stopped. Then it turned again and rolled about eight feet to the left and made a big arc and came back to my feet. came."

In the end, this news became a media battle and famous newspapers like New York Times and London Daily sent reporters to publish this.

To this day, it is still unknown exactly what the Betz Mystery Sphere is and no one even knows where the device is today. However, some believe it to be an extraterrestrial object, while others believe it is a man-made device.

Pictured: 12-year-old Wayne Betz with the ball.

Image courtesy of WJCT


betz mystery sphere - āļļෙāļ§්⎃්āļœේ āļ…āļˇිāļģāˇ„āˇƒ් āļœෝāļŊāļē
1974 āļ¯ී, āļœිāļą්āļąāļš් āļąි⎃ා āļļෙāļ§්⎃්(Betz) āļ´āˇ€ුāļŊේ ⎀āļąාāļą්āļ­āļģ⎀āļŊිāļą් ⎀ි⎁ාāļŊ āļšොāļ§āˇƒāļš් ⎀ිāļąා⎁ ⎀ිāļē. ⎄ාāļąිāļē āļ´āļģීāļš්⎂ා āļšāļģāļą āˇ€ිāļ§ āļ”⎀ුāļą් āļ­āļąි āļ¯ිāļœāļ§ි āļ­්āļģිāļšෝāļĢ āˇƒංāļšේāļ­āļēāļš් āļ´āļ¸āļĢāļš් āļ‡āļ­ි ⎃āļ¸්āļ´ූāļģ්āļĢāļēෙāļą්āļ¸ āˇƒිāļąිāļŗු ⎀ූ āļ…āļ¸ුāļ­ු āļŊෝ⎄ āļļෝāļŊāļēāļš් ⎄āļ¸ු⎀ී āļ‡āļ­. āļ‘āļē āļšි⎃ිāļēāļ¸් āļ†āļšාāļģāļēāļš āļ…āļˇ්āļē⎀āļšා⎁ āļ‹āļŊ්āļšාāļ´ාāļ­āļēāļš් āļēැāļēි ⎃ිāļ­ූ āļ”⎀ුāļą් āļ‘āļē āļąිāˇ€āˇƒāļ§ āļœෙāļą āļœො⎃් āļ‡āļ­.
⎃āļ­ි āļ¯ෙāļšāļšāļ§ āļ´āļ¸āļĢ āļ´āˇƒු, Betz āļ´āˇ€ුāļŊ āļ­āļ¸ āļąිāˇ€āˇƒāļ§ āļœෙāļą āļ† āļŊෝ⎄ āļļෝāļŊāļē āļ´ිāļŊිāļļāļ¯āˇ€ āļ…āļ¸ුāļ­ු āļēāļ¸āļš් āļąිāļģීāļš්⎁āļĢāļē⎀ී āļ‡āļ­. āļœෝāļŊāļē āļēāļ¸් āļēāļ¸් ⎁āļļ්āļ¯ āˇƒāˇ„ ⎃ංāļ›්āļēාāļ­ (āļœිāļ§āļģāļēāļš āˇāļļ්āļ°āļē ⎀ැāļąි) ⎃āļ¸āļŸ āļ…āļąුāļąාāļ¯ āˇ€āļą āļļ⎀ āˇƒāˇ„, ⎃āļģ⎃ුāļŊāļš් āļšāļ¸්āļ´āļąāļē ⎀āļąāˇ€ිāļ§ āļąැāļœෙāļą āˇ„āļŠāļ§ āˇƒāļ¸ාāļą āˇ„āļŠāļš් āļąිāļšුāļ­් ⎀ී āļ‡āļ­.
āļ‘āļ´āļ¸āļĢāļš්āļ¯ āļąො⎀, āļļෝāļŊāļē āļļිāļ¸ āˇ„āļģ⎄ා āļ­āļŊ්āļŊු āļšāˇ…⎄ොāļ­්, āļ‘āļē ⎃්⎀āļšීāļē āļšැāļ¸ැāļ­්āļ­ෙāļą් āļ¯ි⎁ා⎀ ⎀ෙāļąāˇƒ් āļšāļģ āļļො⎄ෝ ⎀ිāļ§ āļ‘⎄ි āļ¸ුāļŊ් āļ†āļģāļ¸්āļˇāļš āˇƒ්āļŽාāļąāļēāļ§ āļ´ැāļ¸ිāļĢෙāļą āļļ⎀ āļļෙāļ§්⎃් ⎀ි⎃ිāļą් ⎃ොāļēා āļœāļą්āļąා āļŊāļ¯ී.
āļ‰āļą්āļ´āˇƒු āļļෙāļ§්⎃් āļ¸ාāļ°්āļē ⎀ෙāļ­ āļ¸ෙāļē āļ…āļąා⎀āļģāļĢāļē āļšිāļģීāļ¸āļ§ āļ­ීāļģāļĢāļē āļšāˇ… āļ…āļ­āļģ, ⎁ාāļą්āļ­ āļ´ීāļ§āļģ්⎃්āļļāļģ්āļœ් āļ§āļēිāļ¸්⎃්(St. Petersburg Times) āļ´ු⎀āļ­්āļ´āļ­ේ āļĄාāļēාāļģූāļ´ āļ¸ාāļ°්āļē⎀ේāļ¯ිāļēෙāļšු ⎀āļą āļŊෝāļą් āļ‘āļą්āļœāļģ්(Lon Enger) āļ¸ෙāļ¸ āļ´්āļģāļšා⎁āļēāļą් ⎃āļąාāļŽ āļšāˇ…ේāļē:
āļŊෝāļą් āļ‘āļą්āļœāļģ්:-
"[āļļෙāļ§්⎃් āļ¸āˇ„āļ­්āļ¸ිāļē.] āļļිāļ¸ āļ­ිāļēāļŊා āļ­āļŊ්āļŊු⎀āļš් āļ¯ෙāļą්āļą āļšි⎀්⎀ා. āļ‘āļē āļ§ිāļš āļ¯ුāļģāļš් āļ´ෙāļģ⎅ී āļąāļ­āļģ ⎀ිāļē. āļ¸āļ¯ āˇ€ෙāļŊා⎀āļšිāļą් āļ‘āļē āļ­āļąි⎀āļ¸ āˇ„ැāļģී āļ…āļŠි ⎄āļ­āļģāļš් āļ´āļ¸āļĢ āļ¯āļšුāļĢāļ§ āļ´ෙāļģ⎅ී āļœිāļēා. āļ’āļš āļąැ⎀ැāļ­්āļ­ු⎀ා. āļ‰āļą්āļ´āˇƒු āļ‘āļē āļąැ⎀āļ­ āˇ„ැāļģී āļ…āļŠි āļ…āļ§āļš් āļ´āļ¸āļĢ āˇ€āļ¸āļ§ āļ´ෙāļģ⎅ී ⎀ි⎁ාāļŊ āļ ාāļ´āļēāļš් ⎃ාāļ¯ා āļ¸āļœේ āļ¯ෙāļ´ා ⎅āļŸāļ§ āļąැ⎀āļ­ āļ´ැāļ¸ිāļĢිāļēා."
āļ…āˇ€āˇƒාāļąāļēේāļ¯ී āļ¸ෙāļ¸ āļ´ු⎀āļ­ āļ¸ාāļ°්āļē ⎃āļ§āļąāļš් āļļ⎀āļ§ āļ´āļ­්⎀ූ āļ…āļ­āļģ āļąි⎀් āļēෝāļģ්āļš් āļ§āļēිāļ¸්⎃්(New York Times) āˇƒāˇ„ āļŊāļą්āļŠāļą් āļŠේāļŊි(London Daily) ⎀ැāļąි āļ´්āļģ⎃ිāļ¯්āļ¯ āļ´ු⎀āļ­්āļ´āļ­් āļ¸ෙāļē āļ´āļŊ āļšිāļģීāļ¸āļ§ āˇ€ාāļģ්āļ­ාāļšāļģු⎀āļą් āļē⎀ා āļ‡āļ­.
āļ…āļ¯ āļ¯āļš්⎀ාāļ¸, Betz Mystery Sphere āļēāļąු āļšුāļ¸āļš්āļ¯ැāļēි āļ­āˇ€āļ¸āļ­් āļąි⎁්āļ ිāļ­āˇ€ āļąොāļ¯āļąී āļ‘āļ¸ෙāļą්āļ¸ āˇ€āļģ්āļ­āļ¸ාāļąāļēේ āļ¸ෙāļ¸ āļ‹āļ´āļšāļģāļĢāļē āļ­ිāļļෙāļą āˇƒ්āļŽාāļąāļē āļ´āˇ€ා āļšි⎃ි⎀ෙāļš් āļąොāļ¯āļąී. āļšෙ⎃ේ ⎀ෙāļ­āļ­්, āļ´ිāļ§āˇƒāļš්⎀āļŊ āˇ€āˇƒ්āļ­ු⎀āļš් āļļ⎀āļ§ āļ´ිāļģි⎃āļš් āļ¸ෙāļē ⎀ි⎁්⎀ා⎃ āļšāļģāļą āļ…āļ­āļģ āļ­āˇ€āļ­් āļ´ිāļģි⎃āļš් ⎀ි⎁්⎀ා⎃ āļšāļģāļą්āļąේ āļ¸ෙāļē āļ¸ිāļąි⎃ා ⎀ි⎃ිāļą් āļąිāļ¸ාāļĢāļē āļšāļģāļą āļŊāļ¯ āļ‹āļ´āļšāļģāļĢāļēāļš් āļļ⎀āļ§āļēි.
āļĄාāļēා āļģූāļ´āļēේ: ⎀āļē⎃ āļ…⎀ුāļģුāļ°ු 12āļš් ⎀āļą Wayne Betz āļļෝāļŊāļē ⎃āļ¸āļœ.
Image courtesy of WJCT

An 800-year-old mummy was found in Cajamarquilla, Peru āļ´ේāļģු Cajamarquilla ⎀āļŊිāļą් ⎄āļ¸ු⎀ූ āˇ€āˇƒāļģ 800āļš් āļ´ැāļģැāļĢි āļ¸āļ¸ිāļēāļš්‌

 


An 800-year-old mummy was found in Cajamarquilla, Peru

 The mummy is completely bound with rope and is said to be more than 800 years old. Archaeologists on Peru's central coast have found an underground tomb estimated to be at least 800 years old.

 The mummy was found in excellent condition at the archaeological site of Cajamarquilla, about 15 miles (24 km) inland from Lima. As reported in the Guardian, the rope-bound mummy is from a culture that flourished between the Peruvian coast and mountains, the Sun Archaeologist Pieter van Dalen Luna of Marcos State University says the mummy may be from the Chachlla culture, which flourished in the high Andes around Lima between 1,200 and 800 years ago.

"The main feature of the mummy is that the whole body was bound with ropes and the arms were facing, which would have been part of the local funerary pattern. Radiocarbon dating will give a more accurate date," said archaeologist Peter van Dalen.

Peter Van Dalen is a recipient of the San Marcos State University (UNMSM) in Luna, Peru. According to him, the body is believed to be that of a person who lived in the high Andean region of the country, he added.

Rope mummies and mummies in Peru Mummification was practiced by several indigenous cultures in the Andes. Beginning 7,000 years ago, the Chinchoro people (in present-day Peru and Chile) were the world's first physicians.

Mummified

Egyptians believed that mummifying the bodies of their loved ones from thousands of years ago would allow the living today to connect with the dead.

What is interesting is that Peruvian mummies were not buried and left to live out their afterlife. Instead of burial, some people kept mummies in their homes or brought them to festivals, and they often associated the mummies with ceremonies such as weddings, sowing, and harvesting. In some cultures, people took food or drink to the graves of their loved ones. Considered to be a link between the living people and the gods, these mummies were taken from their resting place and believed to receive "guidance" on important occasions.

Many different cultures lived in the Andean region and believed that the dead would accompany them while they were still alive. The natural climate of the deserts and mountains found throughout the Andean region helped preserve the body by desiccation or freeze-drying. Bodies can be treated and preserved using alcohol (from chichabada corn beer). Early Andean cultures also used salt as a preservative and often removed flesh and body fluids from corpses before burial.

Mummies were usually left in place of death, wrapped in bundles using several layers of cloth, tied with ropes, and sometimes a cloth was wrapped around the head. Important people are wrapped in high-quality cloth and jewels. The property of the deceased and the tools of their trade was deposited with the owner.

Cajamarquilla rope-tied mummy.đŸ”ē

While the gender of the roped mummy in Cajamarquilla has yet to be determined, it appears to be an adult male. It was found in an underground chamber tomb where the mummy had been tightly crouched for over 1,200 years. It was buried with offerings including pottery, stone tools, and gourds containing vegetable remains.

The ancient site of Cajamarquilla, where the roped mummy was found, was located on a trade route that connected the high Andes with urban settlements on the coast. It became an important commercial center during the Late Intermediate Period (1000-1470), a period between the empires of the Andes when many regional groups reorganized and gained power. Its prosperity was reflected in its large public buildings, boulevards, and squares.

Both embalming and tying the mummy were common funerary practices among the pre-Hispanic peoples of the high Andes. The mummy, therefore, shows that Cajamarquilla was inhabited not only by coastal peoples from the immediate area but also by people of Andean origin from the mountains. Its importance as a trade center connecting the coast to the mountains also led to the settlement of people from the Andes.

Peruvian mummies and their grave goods have greatly helped archaeologists expand their understanding of pre-Hispanic indigenous Andean cultures. Detailed investigations of recent findings are sure to add to this understanding.

āļ´ේāļģු Cajamarquilla ⎀āļŊිāļą් ⎄āļ¸ු⎀ූ āˇ€āˇƒāļģ 800āļš් āļ´ැāļģැāļĢි āļ¸āļ¸ිāļēāļš්‌ 👇

 āļ¸ෙāļ¸ āļ¸āļ¸ිāļē ⎃āļ¸්āļ´ුāļģ්āļĢāļēෙāļą්āļ¸ āļšāļš āļēොāļ¯ා āļœැāļ§ āļœāˇƒා āļ‡āļ­ි āļ…āļ­āļģ āļ‡āļ­ි āļ…āļ­āļģ āˇ€āˇƒāļģ 800āļšāļ§ āˇ€āļŠා āļ´ැāļģāļĢි āļļ⎀ āļšිāļē⎀ේ.āļ´ේāļģු ⎄ි āļ¸āļ°්‍āļēāļ¸ āˇ€ෙāļģ⎅ āļ­ීāļģāļēේ āļ´ුāļģා⎀ිāļ¯්‍āļēාāļĨāļēāļą් ⎀ි⎃ිāļą් āļˇූāļœāļ­ āˇƒො⎄ොāļą් āļœැāļļāļšිāļą් āļ…⎀āļ¸ āˇ€āˇāļēෙāļą් āˇ€āˇƒāļģ 800āļš් āļ´āļ¸āļĢ āļ´ැāļģāļĢි āļēැāļēි āļœāļĢāļą් āļļāļŊා āļ‡āļ­.

 āļŊීāļ¸ා ⎃ිāļ§ āļģāļ§ āļ…āļˇ්‍āļēāļą්āļ­āļģāļēāļ§ āˇƒැāļ­āļ´ුāļ¸් 15āļš් (āļšිāļŊෝāļ¸ීāļ§āļģ්24āļš්) āļ´āļ¸āļĢ āļ¯ුāļģිāļą් āļ´ි⎄ිāļ§ි  Cajamarquilla (āļ´ුāļģා⎀ිāļ¯්‍āļēා āļˇූāļ¸ිāļēෙāļą් ⎀ි⎁ි⎂්āļ§ āļ­āļ­්āļ­්⎀āļēේ āļ´āˇ€āļ­ිāļą āļ¸āļ¸ී āļ¸ෘāļ­ āļ¯ේ⎄āļē ⎃ොāļēා āļœāļą්āļąා āļŊāļ¯ී. āļœාāļŠිāļēāļą් āļ´ු⎀āļ­්āļ´āļ­ේ ⎀ාāļģ්āļ­ා āļšāļģ āļ‡āļ­ි āļ´āļģිāļ¯ි, āļšāļšāļēāļšිāļą් āļļැāļŗ āļ‡āļ­ි āļ¸āļ¸ිāļē āļ´ේāļģු ⎀ෙāļģ⎅ āļ­ීāļģāļēāˇƒāˇ„ āļšāļŗු āļ…āļ­āļģ ⎀āļģ්āļ°āļąāļē ⎀ූ ⎃ං⎃්āļšෘāļ­ිāļēෙāļą් āļ´ැ⎀āļ­ āļ‘āļą āļļ⎀, ⎃āļą් āļ¸āļģ්āļ ො⎃් āļģාāļĸ්‍āļē⎀ි⎁්⎀⎀ිāļ¯්‍āļēාāļŊāļēේ āļ´ුāļģා⎀ිāļ¯්‍āļēාāļĨ āļ´ීāļ§āļģ් ⎀ැāļą් āļŠāļŊෙāļą් āļŊුāļąා āļ´āˇ€āˇƒāļēි. āļ¸āļ¸ිāļē āˇ€āˇƒāļģ 1200 āļ­්800 āļ­් āļ…āļ­āļģ āļšාāļŊāļēāļšāļ§ āļ´ෙāļģ āļŊීāļ¸ා āļ…⎀āļ§ āļ‹āˇƒ් āļ‡āļą්āļŠී⎃් ⎄ි ⎀āļģ්āļ°āļąāļē ⎀ූ āļ āļ ්āļŊ්āļŊා ⎃ං⎃්āļšෘāļ­ිāļēෙāļą් ⎀ිāļē ⎄ැāļšිāļē.

"āļ¸āļ¸ිāļēේ āļ´්‍āļģāļ°ාāļą āļŊāļš්⎂āļĢāļē āļąāļ¸්, āļ¸ු⎅ු ⎃ිāļģුāļģāļ¸ āļŊāļĢු⎀āļŊිāļą් āļļැāļŗ āļ…āļ­්⎀āļŊිāļą් āļ¸ු⎄ුāļĢāˇ€āˇƒා āļ­ිāļļීāļ¸āļēි. āļ‘āļē āļ¯ේ⎁ීāļē āļ…⎀āļ¸ංāļœāļŊ්‍āļē āļģāļ§ා⎀ේ āļšොāļ§āˇƒāļš් ⎀āļąු āļ‡āļ­. ⎀ිāļšිāļģāļĢ āļšාāļļāļą් āļšාāļŊ āļąිāļģ්āļĢāļē ⎀āļŠාāļ­් āļąි⎀ැāļģāļ¯ි āļšāļģ āļšාāļŊ āļąිāļģ්āļĢāļē āļŊāļļා āļ¯ෙāļąු āļ‡āļ­," āļ´ුāļģා⎀ිāļ¯්‍āļēාāļĨ āļ´ීāļ§āļģ් ⎀ැāļą් āļŠāļŊේāļą් āļ´ැāˇ€āˇƒීāļē.

āļ´ීāļ§āļģ් ⎀ැāļą් āļŠāļŊේāļą් āļŊූāļąා, āļ´ේāļģු ⎄ි ⎃ැāļą් āļ¸ාāļģ්āļšෝ⎃් āļģාāļĸ්‍āļē⎀ි⎁්⎀ ⎀ිāļ¯්‍āļēාāļŊāļēේ (āļēූāļ‘āļą්āļ‘āļ¸්āļ‘āˇƒ්āļ‘āļ¸්)āļŊාāļˇිāļē. āļ”⎄ුāļ§ āļ…āļąු⎀ āļ‘āļ¸ āļ¯ේ⎄āļē āļ¸ෙāļģāļ§ āļ‹āˇƒ් āļ‡āļą්āļŠිāļēāļą් āļ´්‍āļģāļ¯ේ⎁āļēේ āļĸී⎀āļ­් ⎀ූ āļ…āļēෙāļšුāļœේ āļļ⎀āļ§ āˇ€ි⎁්⎀ා⎃ āļšāļģāļą āļļ⎀āļ¯ āļ”⎄ු ⎀ැāļŠිāļ¯ුāļģāļ§āļ­් āļ´ැāˇ€āˇƒීāļē.

āļšāļšāļēෙāļą් āļļැāļŗුāļąු āļ¸āļ¸ී āˇƒāˇ„ āļ´ේāļģු ⎄ි āļ¸āļ¸ී āļ¸āļ¸ීāļšāļģāļĢāļē āļ‡āļą්āļŠී⎃්⎄ි ⎃්⎀āļ¯ේ⎁ිāļš āˇƒං⎃්āļšෘāļ­ීāļą් āļšි⎄ිāļ´āļēāļš් ⎀ි⎃ිāļą් ⎃ිāļ¯ු āļšāļģāļą āļŊāļ¯ී. āˇ€āˇƒāļģ 7000āļšāļ§ āļ´ෙāļģ āļ†āļģāļ¸්āļˇ āˇ€ූ  āļ ිāļą්āļ ෝāļģෝ āļšāļŊාāļ´ීāļē āļĸāļąāļ­ා⎀ (⎀āļģ්āļ­āļ¸ාāļąāļēේ āļ´ේāļģු āˇƒāˇ„ āļ ිāļŊී āļēāļą āļ´්‍āļģāļ¯ේ⎁⎀āļŊ )⎀ූ āļ”⎀ුāļą් āļŊො⎀ āļ´්‍āļģāļŽāļ¸ āˇ€ෛāļ¯්‍āļē⎀āļģුāļą් ⎀ිāļē.

āļ¸āļ¸ිāļšāļģāļĢāļēāļšāļģđŸ”ē

āļŠāļĸිāļ´්āļ­ු⎀āļģුāļą්āļ§ āˇ€āˇƒāļģ āļ¯āˇ„āˇƒ් āļœāļĢāļąāļšāļ§ āļ´ෙāļģ  āļĸි⎀āļ­් ⎀ූ āļ”⎀ුāļą්āļœේ āļ†āļ¯āļģāļĢීāļēāļēāļą් āļœේ ⎃ිāļģුāļģු āļ¸āļ¸ිāļšāļģāļĢāļēāļšāļģ āļ­āļļා āļœැāļąීāļ¸ āļąි⎃ා ⎀āļģ්āļ­āļ¸ාāļąāļēේ āļĸී⎀āļ­්⎀ ⎃ිāļ§ිāļą āļ…āļēāļ§ āļ¸āˇ…⎀ුāļą් ⎃āļ¸āļŸ āˇƒāļ¸්āļļāļą්āļ° āˇ€ීāļ¸āļ§ āļ…āˇ€āˇƒ්āļŽා⎀ ⎃ැāļŊ⎃ෙāļą āļļ⎀āļ§ āˇ€ි⎁්⎀ා⎃ āļšāˇ…⎄.

⎃ිāļ­් āļ‡āļ¯āļœāļą්āļąා⎃ු⎅ු āļ¯ෙāļē āļąāļ¸් āļ´ේāļģු āļ¸āļ¸ිāļēāļą් āļ¸ි⎄ිāļ¯āļą් āļšāļģ āļ”⎀ුāļą්āļœේ āļ¸āļģāļĢිāļą්āļ¸āļ­ු āļĸී⎀ිāļ­āļē āļœāļ­ āļšිāļģීāļ¸ āˇƒāļŗāˇ„ා āļ‰āļ­ිāļģි āļšāļģ āļąොāļ­ිāļļීāļ¸āļēි. āļ¸ි⎄ිāļ¯āļą් āļšිāļģීāļ¸ āˇ€ෙāļąු⎀āļ§ āˇƒāļ¸āˇ„āļģ āļ…āļē āļ­āļ¸ āļąි⎀ෙ⎃්⎀āļŊ āļ¸āļ¸ී āļ­āļļාāļœෙāļą āˇ„ෝ āļ‹āļ­්āˇƒāˇ€āˇ€āļŊāļ§ āļœෙāļąැ⎀ිāļ­් āļ‡āļ­ි āļ…āļ­āļģ āļ”⎀ුāļą් āļļො⎄ෝ ⎀ිāļ§ āˇ€ි⎀ා⎄, ⎀ැāļ´ිāļģීāļ¸ āˇƒāˇ„ āļ…āˇƒ්⎀ැāļą්āļą āļąෙ⎅ීāļ¸ āˇ€ැāļąි āļ‹āļ­්āˇƒāˇ€ ⎀āļŊāļ§  āļ‘āļ¸ āļ¸āļ¸ී ⎃āļ¸්āļļāļą්āļ° āļšāļģ ⎀ූ⎄. ⎃āļ¸āˇ„āļģ ⎃ං⎃්āļšෘāļ­ීāļą් ⎀āļŊ āļ¸ිāļąි⎃ුāļą් āļ­āļ¸ āļ†āļ¯āļģāļĢීāļēāļēāļą්āļœේ ⎃ො⎄ොāļą් ⎀āļŊāļ§ āļ†āˇ„ාāļģ ⎄ෝ āļļීāļ¸ āļœෙāļąāļœො⎃් āļ­ැāļļු⎄.āļĸී⎀āļ¸ාāļą āļ¸ිāļąි⎃ුāļą් ⎄ා āļ¯ෙ⎀ි⎀āļģුāļą් āļ…āļ­āļģ ⎃āļ¸්āļļāļą්āļ°āļēāļš් āļŊෙ⎃ ⎃āļŊāļšāļąු āļŊāļļāļą āļ¸ෙāļ¸ āļ¸āļ¸ී āļ”⎀ුāļą්āļœේ ⎀ි⎀ේāļšāˇƒ්āļŽාāļąāļēෙāļą් āļœෙāļą āļœො⎃් ⎀ැāļ¯āļœāļ­් āļ…āˇ€āˇƒ්āļŽා⎀āļą්⎄ිāļ¯ී "āļ‹āļ´āļ¯ෙ⎃්" āļŊāļļා āļœāļ­ āˇ„ැāļšිāļē āļēāļą්āļą āļ”⎀ුāļą්āļœේ ⎀ි⎁්⎀ා⎃āļē ⎀ේ.

āļļො⎄ෝ ⎀ි⎀ිāļ° āˇƒං⎃්āļšෘāļ­ීāļą්āļ§ āļ…āļēāļ­් āļ…āļē āļ‡āļą්āļŠිāļēāļą් āļšāļŊාāļ´āļēේ āļĸී⎀āļ­් ⎀ූ āļ…āļ­āļģ āļ”⎀ුāļą්āļœේ ⎃ැāļŊāļšීāļ¸ āļ¸ිāļē āļœිāļē āļ…āļē āļ”⎀ුāļą් ⎃āļ¸āļŸ āļĸී⎀āļ¸ාāļąāˇ€ ⎃ිāļ§ āļ‹āļ´āļšාāļģ āļšāļģāļą āļļ⎀āļēි.āļ‡āļą්āļŠිāļēāļą් āļšāļŊාāļ´āļē āļ´ුāļģා āļ¯āļš්āļąāļ§ āļŊැāļļෙāļą āļšාāļą්āļ­ාāļģ āˇƒāˇ„ āļšāļŗුāļšāļģ āļ´්‍āļģāļ¯ේ⎁⎀āļŊ ⎃්⎀āļˇා⎀ිāļš āļ¯ේ⎁āļœුāļĢිāļš āļ­āļ­්āļ­්⎀āļēāļą් āļ‹āļ´āļšාāļģ āļšāļģ āļœāļąිāļ¸ිāļą් ⎀ිāļē⎅ීāļ¸ āˇ„ෝ ⎁ීāļ­ āļšāˇ… ⎀ිāļē⎅ීāļ¸ āļ¸āļœිāļą් ⎁āļģීāļģāļē ⎃ංāļģāļš්⎂āļĢāļē āļšāˇ… ⎄ැāļšිāļē. āļ‡āļŊ්āļšො⎄ොāļŊ් (āļ ිāļ ාāļļāļŠ āļ‰āļģිāļŸු āļļිāļēāļģ් ⎀āļŊිāļą්) āļˇා⎀ිāļ­āļēෙāļą් ⎃ිāļģුāļģු⎀āļŊāļ§ āļ´්‍āļģāļ­ිāļšාāļģ āļšāļģ ⎃ංāļģāļš්⎂āļĢāļē āļšāˇ… ⎄ැāļšිāļē. āļ¸ුāļŊ් āļ‡āļą්āļŠිāļēāļą් ⎃ං⎃්āļšෘāļ­ීāļą් āļ¯ āļŊුāļĢු āļšāļŊ් āļ­āļļා āļœāļą්āļąා āļ¯්‍āļģ⎀්‍āļēāļēāļš්āļŊෙ⎃ āļˇා⎀ිāļ­ා āļšāˇ… āļ…āļ­āļģ āļļො⎄ෝ ⎀ිāļ§ āļˇූāļ¸āļ¯ාāļąāļē āļšිāļģීāļ¸āļ§ āļ´ෙāļģ āļ¸ෘāļ­ āļ¯ේ⎄āļēෙāļą් āļ¸āˇƒ් āˇƒāˇ„ ⎁āļģීāļģ āļ­āļģāļŊ āļ‰āˇ€āļ­් āļšāļģāļą āļŊāļ¯ී.

āļ¸āļ¸ී ⎃ාāļ¸ාāļą්‍āļēāļēෙāļą් āļ¸ිāļē āļœිāļē ⎃්āļŽාāļąāļēේāļ¸ āļ­āļļා āļģෙāļ¯ිāļ´ි⎅ි ⎃්āļŽāļģ āļšි⎄ිāļ´āļēāļš්āļˇා⎀ිāļ­ා āļšāļģ āļ¸ිāļ§ි ⎀āļŊāļ§ āļ”āļ­ා, āļŊāļĢු⎀āļŊිāļą් āļļැāļŗ āļ‡āļ­ි āļ…āļ­āļģ ⎃āļ¸āˇ„āļģ ⎀ිāļ§ āˇ„ි⎃්āļ§ āļģෙāļ¯්āļ¯āļš් āļ”āļ­āļą āļŊāļ¯ී. ⎀ැāļ¯āļœāļ­් āļ´ුāļ¯්āļœāļŊāļēිāļą් āļ‹āˇƒāˇƒ් āļ­āļ­්āļ­්⎀āļēේ āļģෙāļ¯ි āˇƒāˇ„āˇƒ්⎀āļģ්āļĢාāļˇāļģāļĢ⎀āļŊිāļą් ⎃āļģ⎃ා āļ”āļ­ා āļ‡āļ­. āļ¸ිāļēāļœිāļē āļ´ුāļ¯්āļœāļŊāļēාāļœේ āļ¯ේāļ´āˇ… āļ”⎀ුāļą්āļœේ āļ”⎀ුāļą්āļœේ ⎀ෘāļ­්āļ­ිāļēේ āļ¸ෙ⎀āļŊāļ¸්āļ¯ āļ…āļēිāļ­ිāļšāļģු ⎃āļ¸āļŸ āļ­ැāļ¸්āļ´āļ­් āļšāļģāļą āļŊāļ¯ී.

Cajamarquilla  āļšāļšāļēෙāļą් āļļැāļŗුāļąු āļ¸āļ¸ිāļē.đŸ”ē

Cajamarquilla ⎄ි āļšāļšāļēāļšිāļą් āļļැāļŗ āļ‡āļ­ි āļ¸āļ¸ීāļēේ āļŊිංāļœ āļˇේāļ¯āļē āļ­āˇ€āļ¸āļ­් āļąි⎁්āļ ිāļ­āˇ€ ⎄āļŗුāļąා āļœෙāļą āļąොāļ¸ැāļ­ි āļ…āļ­āļģ, āļ‘āļē ⎀ැāļŠි⎄ිāļ§ි āļ´ිāļģිāļ¸ිāļēෙāļšු āļļ⎀ āļ´ෙāļąේ. āļ‘āļē āˇ€āˇƒāļģ1,200 āļšāļ§ āˇ€ැāļŠි āļšාāļŊāļēāļš් āļ¸āļ¸ිāļē āļ­āļ¯ිāļą් ⎀āļšුāļ§ු ⎀ී āļ­ිāļļී āļ‡āļ­ි āļ…āļ­āļģ āļˇූāļœāļ­ āļšුāļ§ීāļģ ⎃ො⎄ොāļąāļš āļ­ිāļļී ⎄āļ¸ු ⎀ිāļē. āļ´ිāļŸāļą් āļˇාāļĢ්āļŠ, āļœāļŊ් āļ†āļēුāļ° āˇƒāˇ„ āļ‘⎅⎀⎅ු āļ…⎀⎁ේ⎂ āļ…āļŠංāļœු āļšāļģ⎀ිāļŊ āļ‡āļ­ු⎅ු āļ´ූāļĸා⎀āļą් ⎃āļ¸āļŸ āļ‘āļē āļ­ැāļą්āļ´āļ­් āļšāļģ āļ­ිāļļී āļ‡āļ­.

āļšāļšāļēāļšිāļą් āļļāļŗිāļą āļŊāļ¯ āļ¸āļ¸ිāļē ⎃ොāļēා āļœāļą්āļąා āļŊāļ¯ Cajamarquilla ⎄ි āļ´ුāļģාāļĢ⎃්āļŽාāļąāļē āļ´ි⎄ිāļ§ා āļ­ිāļļුāļĢේ āļ‹āˇƒ් āļ‡āļą්āļŠී⎃් āļšāļŗුāļšāļģāļē ⎀ෙāļģ⎅ āļ­ීāļģāļēේ āļąාāļœāļģිāļš āļĸāļąා⎀ාāˇƒāˇ„ා ⎃āļ¸්āļļāļą්āļ° āļšāļģāļą āˇ€ෙ⎅āļŗ āļ¸ාāļģ්āļœāļēāļš āļē. āļ‘āļē āļļො⎄ෝ āļ´්‍āļģාāļ¯ේ⎁ීāļē āļšāļĢ්āļŠාāļēāļ¸් āļ´්‍āļģāļ­ි⎃ං⎀ිāļ°ාāļąāļē ⎀ී āļļāļŊāļē āļŊāļļා āļœāļ­් āļ‡āļą්āļŠී⎃් ⎄ි āļ…āļ°ිāļģාāļĸ්‍āļēāļēāļą් āļ…āļ­āļģ āļšාāļŊāļēāļš්⎀ූ āļ…āˇ€āˇƒාāļą āļ…āļ­āļģāļ¸ැāļ¯ි āļēුāļœāļēේ (1000-1470) ⎀ැāļ¯āļœāļ­් ⎀ාāļĢිāļĸ āļ¸āļ°්‍āļē⎃්āļŽාāļąāļēāļš්āļļ⎀āļ§ āļ´āļ­්⎀ිāļē. āļ‘⎄ි ⎃āļ¸ෘāļ¯්āļ°ිāļē āļ‘⎄ි ⎀ි⎁ාāļŊ āļ´ොāļ¯ු āļœොāļŠāļąැāļœිāļŊි, āļļුāļŊ්⎀ාāļģ්āļŠ් āˇƒāˇ„āļ āļ­ුāļģ⎁්‍āļģ ⎀āļŊිāļą් āļ´ි⎅ිāļļිāļšු ⎀ිāļē.

āļ¸āļ¸ිāļēේ āļ´ි⎄ිāļ§ීāļ¸ āˇƒāˇ„ āļŊāļĢු āļļැāļŗීāļ¸ āļēāļą āļ¯ෙāļšāļ¸ āļ‰āˇ„⎅ āļ‡āļą්āļŠී⎃් ⎄ි āļ´්‍āļģාāļœ් ⎄ි⎃්āļ´ැāļąිāļš් āļĸāļąāļēා āļ…āļ­āļģ āļ´ොāļ¯ු āļ…⎀āļ¸ංāļœāļŊ්‍āļē āļ´ි⎅ි⎀ෙāļ­් ⎀ිāļē. āļ‘āļļැ⎀ිāļą් āļ¸āļ¸ිāļē āļ´ෙāļą්āļąුāļ¸් āļšāļģāļą්āļąේ Cajamarquilla ⎄ි ⎀ා⎃āļē āļšāļģ āļ‡āļ­්āļ­ේ āļ†āˇƒāļą්āļą āļ´්‍āļģāļ¯ේ⎁āļēේ ⎀ෙāļģ⎅āļļāļŠ āļĸāļąāļēා āļ´āļ¸āļĢāļš් āļąො⎀, āļšāļŗුāļšāļģāļēේ ⎃ිāļ§ි āļ‡āļą්āļŠිāļēāļą් ⎃āļ¸්āļˇāˇ€āļēāļš් āļ‡āļ­ි āļ¸ිāļąි⎃ුāļąුāļ­් ⎃ිāļ§ āļ‡āļ­ි āļļ⎀āļēි. ⎀ෙāļģ⎅ āļ­ීāļģāļē āļšāļŗුāļšāļģāļēāļ§ āˇƒāļ¸්āļļāļą්āļ° āļšāļģāļą āˇ€ෙ⎅āļŗ āļ¸āļ°්‍āļē⎃්āļŽාāļąāļēāļš් āļŊෙ⎃āļ‘⎄ි āļ‡āļ­ි ⎀ැāļ¯āļœāļ­්āļšāļ¸ āļąි⎃ා āļ‡āļą්āļŠී⎃් āļšāļŗුāļšāļģāļēේ āļ¸ිāļąි⎃ුāļą් āļ¯ āļ‘⎄ි āļ´āļ¯ිංāļ ි ⎀ීāļ¸āļ§ āˇ„ේāļ­ු⎀ිāļē.

āļ´ේāļģු āļ¸āļ¸ී āˇƒāˇ„ āļ”⎀ුāļą්āļœේ ⎃ො⎄ොāļą් āļˇාāļĢ්āļŠ āļ´ුāļģා⎀ිāļ¯්‍āļēාāļĨāļēිāļą්āļ§ āļ´ූāļģ්⎀ ⎄ි⎃්āļ´ැāļąිāļš් ⎃්⎀āļ¯ේ⎁ිāļš āļ‡āļą්āļŠිāļēāļą් ⎃ං⎃්āļšෘāļ­ීāļą් āļ´ි⎅ිāļļāļŗ āļ”⎀ුāļą්āļœේ āļ…⎀āļļෝāļ°āļē āļ´ු⎅ුāļŊ්āļšිāļģීāļ¸āļ§ āļļෙ⎄ෙ⎀ිāļą් āļ‹āļ´āļšාāļģ ⎀ී āļ‡āļ­. āļ¸ෑāļ­ āļšාāļŊීāļą āˇƒොāļēාāļœැāļąීāļ¸් āļ´ි⎅ිāļļāļŗ āˇƒāˇ€ි⎃්āļ­āļģාāļ­්āļ¸āļš āļ´āļģීāļš්⎂āļĢ āļ¸ෙāļ¸ āļ…⎀āļļෝāļ°āļēāļ§ āļ‘āļšāļ­ු ⎀āļąු āļąි⎃ැāļšāļē.

76 heart-rending child sacrifices found in Peru ⎄āļ¯āˇ€āļ­් āļ‰āļģා āļ¯ැāļ¸ූ ⎅āļ¸ා āļļිāļŊි āļ´ූāļĸා 76āļš් āļ´ේāļģු āļģාāļĸ්‍āļēāļēෙāļą් ⎃ොāļēා āļœැāļąේ


 76 heart-rending child sacrifices found in Peru 😱😔

The Nazca are found to have been ritually put to death in ancient Peru by eating a psychoactive cactus just before the sacrificial ritual, which then worked its way through the body.

A hair sample from the head of an ancient trophy mummy buried in Peru reveals that the victim consumed a psychoactive plant before death.

Thousands of years ago, in Peru, a child was sacrificed as part of an ancient ritual, with their head severed from the neck and turned into a trophy. A new analysis of a single hair plucked from the mummy's skull reveals that the child ingested psychoactive cactus before executing death as part of the ceremony.

The child's preserved head is one of 22 human remains associated with the ancient Nazca society examined in a new study; All of these individuals lived in the pre-Hispanic period (3500 BC to AD 476) and were buried near the southern coast of Peru, where they were excavated during the Nazca Project, a long-term archaeological program that began in 1982.

. Because the victim's gender and age at death were uncertain, they reported that the child had ritually ingested the San Pedro cactus (Echinopsispachanoi), a prickly plant considered to have "strong hallucinogenic properties" and used in traditional medicine and by Native American civilizations.

"The trophy head is the first instance of consumption of San Pedro by a person living on the coast of southern Peru," said study lead author Dagmara Socha, a Ph.D. candidate at the Center for Andean Studies at the University of Warsaw in Poland, live Nazca priests. "It is also the first evidence that some of the victims who turned out to be empty cups were given stimulants before they died."

For the study, Socha and her team took individual hair samples from four trophy heads, three of which belonged to adults, and 18 mummies of adults and children. Toxicological tests revealed that many of the dead had consumed some psychoactive or stimulant plant before their deaths.

The ingested substances included coca leaves, known to be a source of the psychoactive substance cocaine, as well as the San Pedro cactus, which contains the psychoactive drug mescaline. The researchers also detected traces of Banisteriopsis caapi, the main compound in ayahuasca, a hallucinogenic drink containing harmine and harmaline (two compounds used in modern antidepressants).

"It was very interesting to see how many people [these plants] fed or fed," said Socha. "We wanted to trace the way some of these ancient plants were traded. For example, because coca leaves were not cultivated on the southern coast of Peru, they may have been brought from northern Peru or the Amazon region.

Drug use since 100 BC. The researchers found that it existed in the past as far back as 450 BC. "We can see that this transition in plants started earlier and we can actually trace the trade network," Socha said. "Our research shows that these plants were extremely important for medicinal or clairvoyant effects to various cultures. Especially since there is no written [record] about it in Peru during this period, archaeological evidence proves what we don't know about the Nazca and other surrounding cultures.


⎄āļ¯āˇ€āļ­් āļ‰āļģා āļ¯ැāļ¸ූ ⎅āļ¸ා āļļිāļŊි āļ´ූāļĸා 76āļš් āļ´ේāļģු āļģාāļĸ්‍āļēāļēෙāļą් ⎃ොāļēා āļœැāļąේ😱😔

āļļිāļŊි āļ´ුāļĸා⎀āļ§ āļ¸ො⎄ොāļ­āļšāļ§ āļ´ෙāļģ Nazcaāļ¯āļģු⎀āļą්āļ§ āļ¸āļąෝ āļš්‍āļģිāļēාāļšාāļģී āļ´āļ­ොāļš් ⎀āļģ්āļœāļēāļš් āļ†āˇ„ාāļģāļēāļ§ āļ¯ී āļ‘āļē ⎁āļģීāļģāļē āļ´ුāļģා āļš්‍āļģිāļēාāļ­්āļ¸āļš āˇ€ූ āļ´āˇƒු⎀ āļ´ුāļģාāļĢ āļ´ේāļģු ⎄ි āļ ාāļģිāļ­්‍āļģාāļąුāļšූāļŊ āļ¸āļģāļĢāļēāļ§ āļ´āļ­් āļšāļģ āļ‡āļ­ි āļļ⎀āļ§ āˇƒොāļēා āļœැāļąේ.

āļ´ේāļģු ⎄ි ⎀⎅ āļ¯āļ¸ා āļ‡āļ­ි āļ´ැāļģāļĢි  āļšු⎃āļŊාāļą āļ¸āļ¸ිāļēāļš āˇ„ි⎃āļš āˇ„ි⎃āļšෙ⎃් ⎃ාāļ¸්āļ´āļŊāļēāļšිāļą් ⎄ෙ⎅ි⎀āļą්āļąේ ⎀ිāļą්āļ¯ිāļ­āļēා āļ¸āļģāļĢāļēāļ§ āļ´ෙāļģ āļ¸āļąෝ āļš්‍āļģිāļēාāļšාāļģී ⎁ාāļšāļēāļš් āļ´āļģිāļˇෝāļĸāļąāļē āļšāļģ āļ‡āļ­ිāļļ⎀āļēි.

āˇ€āˇƒāļģ āļ¯āˇ„āˇƒ් āļœāļĢāļąāļšāļ§ āļ´ෙāļģ, āļ´ේāļģු ⎄ි ⎅āļ¸āļēෙāļšු āļ´ුāļģාāļĢ āļ ාāļģිāļ­්‍āļģāļēāļš āļšොāļ§āˇƒāļš් āļŊෙ⎃ āļļිāļŊිāļ¯ී,āļ”⎀ුāļą්āļœේ ⎄ි⎃ āļļෙāļŊ්āļŊෙāļą් āļšāļ´ා āļšු⎃āļŊාāļąāļēāļš් āļļ⎀āļ§ āļ´āļ­් āļšāļģāļą āļŊāļ¯ී. āļ¸āļ¸ීāļēේ ⎄ි⎃් āļšāļļāļŊෙāļą් āļ‹āļ¯ුāļģාāļœāļ­් āļ­āļąි ⎄ි⎃āļšෙ⎃් āļ´ි⎅ිāļļāļŗ āļąāˇ€ ⎀ි⎁්āļŊේ⎂āļĢāļēāļšිāļą් ⎄ෙ⎅ි ⎀āļą්āļąේ āļ‹āļ­්āˇƒāˇ€āļēේ āļšොāļ§āˇƒāļš් āļŊෙ⎃  āļ¸āļģāļĢāļē āļš්‍āļģිāļēාāļ­්āļ¸āļš āļšිāļģීāļ¸āļ§ āļ´ෙāļģ āļ¯āļģු⎀ා āļ¸āļąෝ āļš්‍āļģිāļēාāļšාāļģී āļ´āļ­ොāļš් āļ†āˇ„ාāļģāļēāļ§ āļœāļ­් āļļ⎀āļēි.

āļ¯āļģු⎀ාāļœේ ⎃ංāļģāļš්⎂āļĢāļē āļšāļģāļą āļŊāļ¯ āˇ„ි⎃ āļąāˇ€ āļ…āļ°්‍āļēāļēāļąāļēāļš āļ¯ී āļ´āļģීāļš්⎂ා āļšāļģāļą āļŊāļ¯ āļ´ුāļģාāļĢ āļąා⎃්āļšා ⎃āļ¸ාāļĸāļē ⎄ා ⎃āļ¸්āļļāļą්āļ° āļ¸ාāļąāˇ€ āļ…⎀⎁ේ⎂ 22 āļą් āļ‘āļšāļšි; āļ¸ෙāļ¸ āļ´ුāļ¯්āļœāļŊāļēāļą් ⎃ිāļēāļŊු āļ¯ෙāļąාāļ¸ āļ´ූāļģ්⎀⎄ි⎃්āļ´ැāļąිāļš් āļēුāļœāļēේ (āļš්‍āļģි.āļ´ූ. 3500 ⎃ිāļ§ āļš්‍āļģි.⎀. 476 āļ¯āļš්⎀ා) āļĸී⎀āļ­් ⎀ූ āļ…āļ­āļģ, 1982 āļ¯ීāļ†āļģāļ¸්āļˇ āˇ€ූ āļ¯ිāļœුāļšාāļŊීāļą āļ´ුāļģා⎀ිāļ¯්‍āļēා ⎀ැāļŠāˇƒāļ§āˇ„āļąāļš් ⎀āļą āļąāˇƒ්āļšා ⎀්‍āļēාāļ´ෘāļ­ිāļēේ āļ¯ී āļ”⎀ුāļą්āļšැāļĢීāļ¸් āļšāļģāļą āļŊāļ¯ āļ´ේāļģු ⎄ි āļ¯āļšුāļĢු ⎀ෙāļģ⎅ āļ†āˇƒāļą්āļąāļēේ ⎀⎅āļŊāļąු āļŊැāļļ āļ­ිāļļිāļĢි.

. ⎀ිāļą්āļ¯ිāļ­ āļ¯āļģු⎀ාāļœේ āļŊිංāļœāļˇේāļ¯āļēāˇƒāˇ„ āļ¸ිāļē āļēāļą āˇ€ිāļ§ āˇ€āļē⎃ āļ…⎀ිāļąි⎁්āļ ිāļ­ āļļැ⎀ිāļą්, āļ”⎀ුāļą් ⎀ාāļģ්āļ­ා āļšāˇ…ේ, "⎁āļš්āļ­ිāļ¸āļ­් ⎄āļŊූ⎃ිāļąොāļĸāļąිāļš් āļœුāļĢාංāļœ" ⎃āļŗāˇ„ා āļœāļą්āļąා āļŊāļ¯ āˇƒāˇ„ ⎃ාāļ¸්āļ´්‍āļģāļ¯ාāļēිāļš āˇ€ෛāļ¯්‍āļē ⎀ිāļ¯්‍āļēා⎀ේ āˇƒāˇ„ āļ‡āļ¸āļģිāļšා⎀ේ ⎃්⎀āļ¯ේ⎁ිāļš āˇි⎂්āļ§ාāļ ාāļģ ⎀ි⎃ිāļą් āļˇා⎀ිāļ­ා āļšāļģāļą āļŊāļ¯ āļœොāļģෝ⎃ු ⎁ාāļšāļēāļš් ⎀āļą San Pedro cactus (Echinopsispachanoi)āļ ාāļģිāļ­්āļģ āļ…āļ­āļģāļ­ුāļģ āļ¯āļģු⎀ා āļ†āˇ„ාāļģāļēāļ§ āļœෙāļą āļ‡āļ­ි āļļ⎀āļēි.

āļ´ෝāļŊāļą්āļ­āļēේ ⎀ෝāļģ්⎃ෝ ⎀ි⎁්⎀ ⎀ිāļ¯්‍āļēාāļŊāļēේ āļ‡āļą්āļŠිāļēāļą් āļ…āļ°්‍āļēāļēāļą āļ¸āļ°්‍āļē⎃්āļŽාāļąāļēේ āļ†āļ ාāļģ්āļē āļ‹āļ´ාāļ°ි āļ…āļ´ේāļš්⎂āļšāļēෙāļšු ⎀āļą āļ…āļ°්‍āļēāļēāļąāļēේ āļ´්‍āļģāļ°ාāļą āļšāļģ්āļ­ෘ āļŠāļœ්āļ¸ාāļģා ⎃ෝāļ ා, "āļšු⎃āļŊාāļą āˇ„ි⎃ āļ¯āļšුāļĢු āļ´ේāļģු ⎀ෙāļģ⎅ේ ⎀ෙ⎃ෙāļą āļ´ුāļ¯්āļœāļŊāļēෙāļšු ⎀ි⎃ිāļą් ⎃ැāļą් āļ´ේāļ¯්‍āļģෝ āļ´āļģිāļˇෝāļĸāļąāļē āļšිāļģීāļ¸ේ āļ´āˇ…āļ¸ු āļ…āˇ€āˇƒ්āļŽා⎀āļēි" āļēāļąු⎀ෙāļą් ⎃āļĸී⎀ී⎀ āļ´ැāˇ€āˇƒීāļēāļąා⎃්āļšා āļ´ුāļĸāļšāļēෝ . "āļšු⎃āļŊාāļą āˇ„ි⎃් āļļ⎀āļ§ āļ´āļ­් ⎀ූ ⎃āļ¸āˇ„āļģ āļœොāļ¯ුāļģු ⎀ූ⎀āļą්āļ§ āļ¸ිāļē āļēාāļ¸āļ§ āļ´ෙāļģ āļ‹āļ­්āļ­ේāļĸāļš āļŊāļļා āļ¯ුāļą් āļļ⎀āļ§ āļ´āˇ…āļ¸ු ⎃ාāļš්⎂ිāļēāļ¯ āļ‘āļēāļēි."

āļ…āļ°්‍āļēāļēāļąāļē ⎃āļŗāˇ„ා, ⎃ෝāļ ා āˇƒāˇ„ āļ‡āļœේ āļšāļĢ්āļŠාāļēāļ¸ āļšු⎃āļŊාāļą āˇ„ි⎃් ⎄āļ­āļģāļšිāļą් āļ­āļąි ⎄ි⎃āļšෙ⎃් ⎃ාāļ¸්āļ´āļŊ āļŊāļļා āļœāļ­් āļ…āļ­āļģ, āļ‰āļą් āļ­ුāļąāļš් ⎀ැāļŠි⎄ිāļ§ිāļēāļą්āļ§ āļ…āļēāļ­් ⎀ූ āļ…āļ­āļģ, ⎀ැāļŠි⎄ිāļ§ිāļēāļą්āļœේ āˇƒāˇ„ ⎅āļ¸ුāļą්āļœේ āļ¸āļ¸ී 18 āļ¯ෙāļąෙāļšුāļœෙāļą්. ⎀ි⎂ ⎀ිāļ¯්‍āļēාāļ­්āļ¸āļš āļ´āļģීāļš්‍⎂āļĢ⎀āļŊිāļą් ⎄ෙ⎅ි ⎀ූāļēේ āļ¸ිāļēāļœිāļē āļ…āļēāļœෙāļą් āļļො⎄ෝ āļ¯ෙāļąෙāļš් āļ­āļ¸ āļ¸āļģāļĢāļēāļ§ āļ´ෙāļģ āļšි⎃ිāļēāļ¸් āļ¸āļąෝ āļš්‍āļģිāļēාāļšාāļģී ⎄ෝ āļ‹āļ­්āļ­ේāļĸāļš āˇාāļšāļēāļš් āļ´ාāļąāļēāļšāļģ āļ‡āļ­ි āļļ⎀āļēි.

āļ‘āļ¸ āˇāļģීāļģāļœāļ­ āˇ€ූ āļ¯්‍āļģ⎀්‍āļē āļ…āļ­āļģ āļšොāļšේāļą් āļąāļ¸් āļ¸āļąෝ āļš්‍āļģිāļēාāļšාāļģී āļ¯්‍āļģ⎀්‍āļēāļēේ āļ´්‍āļģāļˇāˇ€āļēāļš් āļŊෙ⎃ ⎄ැāļŗිāļą්⎀ෙāļą āļšොāļšා āļšො⎅ āļ¸ෙāļą්āļ¸ āļ¸āļąෝ ⎀ිāļ¯්‍āļēාāļ­්āļ¸āļš āļ–⎂āļ°āļēāļš් ⎀āļą āļ¸ෙ⎃්āļšāļŊීāļą්āļ…āļŠංāļœු ⎃ැāļą් āļ´ෙāļŠ්‍āļģෝ āļ´āļ­ොāļš් āļ¯ āļ‡āļ­ු⎅āļ­් ⎀ිāļē. āļ´āļģ්āļēේ⎂āļšāļēāļą් ⎀ි⎃ිāļą් ayahuasca ⎄ිāļ´්‍āļģāļ°ාāļą āˇƒංāļēෝāļœāļē ⎀āļą Banisteriopsis caapi ⎄ි ⎄ෝāļŠු⎀ා⎀āļą් āļ¯ āļ…āļąා⎀āļģāļĢāļē āļšāļģ āļœāļ­් āļ…āļ­āļģ,Harmine āˇƒāˇ„ Harmaline (āļąāˇ€ීāļą āˇ€ි⎂ාāļ¯āļąා⎁āļšāˇ€āļŊ āļˇා⎀ිāļ­ා ⎀āļą āˇƒංāļēෝāļœ āļ¯ෙāļšāļš්)āļ…āļŠංāļœු ⎄āļŊූ⎃ිāļąොāļĸāļąිāļš් āļ´ාāļąāļēāļšි.

“[āļ¸ෙāļ¸ āˇාāļš] āļšී āļ¯ෙāļąෙāļšුāļ§ āļšāˇ€ා ⎄ෝ āļ´ො⎀ා āļ‡āļ­ි āļ¯ැāļēි āļļැāļŊීāļ¸ āļ‰āļ­ා ⎃ිāļ­්āļœāļą්āļąා ⎃ු⎅ු⎀ිāļē,” ⎃ෝāļ ා āļ´ැāˇ€āˇƒීāļē. "āļ¸ෙāļ¸ āļ´ැāļģāļĢි ⎁ාāļš āˇ€āļŊිāļą් ⎃āļ¸āˇ„āļģāļš් ⎀ෙ⎅āļŗාāļ¸් āļšāļģāļą āļ¸ාāļģ්āļœāļē ⎃ොāļēා āļœැāļąීāļ¸āļ§ āļ…āļ´āļ§ āļ…⎀⎁්‍āļē ⎀ිāļē. āļ‹āļ¯ා⎄āļģāļĢāļēāļš් āļŊෙ⎃, āļ´ේāļģු ⎄ි āļ¯āļšුāļĢු ⎀ෙāļģ⎅ āļ­ීāļģāļēේ āļšොāļšා āļšො⎅ ⎀āļœා āļąොāļšāˇ… āļąි⎃ා āļ’⎀ා āļ‹āļ­ුāļģු āļ´ේāļģු ⎄ෝ āļ‡āļ¸āˇƒෝāļąිāļēාāļąුāļšāļŊාāļ´āļēෙāļą් āļœෙāļą āļ†āˇ€ා ⎀ිāļē ⎄ැāļšි āļąි⎃ා

āļ¸āļ­්āļ¯්āļģ⎀්āļē āļˇා⎀ිāļ­āļē āļš්āļģි.āļ´ූ 100 ⎃ිāļ§. 450 āļ¯āļš්⎀ා āļ´ැāļģāļĢි āļ…āļ­ීāļ­āļēේāļ¯ āļ´ැ⎀āļ­ි āļļ⎀āļ§ āļ´ āļģ්āļēේ⎂āļšāļēāļą් ⎃ොāļēා āļœāļ­්⎄. "⎁ාāļšāˇ€āļŊ āļ¸ෙāļ¸ āˇƒංāļš්‍āļģාāļą්āļ­ිāļē āļšāļŊිāļą් āļ†āļģāļ¸්āļˇ āˇ€ූ āļļ⎀ āļ…āļ´āļ§ āļ´ෙāļąෙāļą āļ…āļ­āļģ āļ…āļ´āļ§ āļ‡āļ­්āļ­ āˇ€āˇāļēෙāļą්āļ¸ āˇ€ෙ⎅āļŗ āļĸාāļŊāļē ⎃ොāļēාāļœāļ­ āˇ„ැāļšිāļē," ⎃ෝāļ ා āļ´ැāˇ€āˇƒීāļē. "āļ…āļ´āļœේ āļ´āļģ්āļēේ⎂āļĢ⎀āļŊිāļą් āļ´ෙāļąී āļēāļą්āļąේ āļ¸ෙāļ¸ āˇාāļšāˇ€ි⎀ිāļ° āˇƒං⎃්āļšෘāļ­ීāļą් ⎃āļŗāˇ„ා ⎀ෛāļ¯්‍āļē ⎄ෝ āļ¯ූāļģāļ¯āļģ්⎁ී āļļāļŊāļ´ෑāļ¸ āˇƒāļŗāˇ„ා āļ…āļ­ි⎁āļēිāļą් ⎀ැāļ¯āļœāļ­් ⎀ූāļļ⎀āļēි. ⎀ි⎁ේ⎂āļēෙāļą්āļ¸ āļ¸ෙāļ¸ āļšාāļŊ ⎃ීāļ¸ා⎀ේ āļ´ේāļģු ⎀āļŊ āļ’ āļœැāļą āļŊිāļēා [āļŊිāļ›ිāļ­ āˇ€ාāļģ්āļ­ා⎀āļš්] āļąොāļ¸ැāļ­ි āļąි⎃ා,āļąා⎃්āļšා āˇƒāˇ„ āļ…āļąෙāļšුāļ­් āļ…⎀āļ§ āˇƒං⎃්āļšෘāļ­ීāļą් āļ´ි⎅ිāļļāļŗāˇ€ āļ…āļ´ āļąොāļ¯āļą්āļąා āļ¯ේ āļ´ුāļģා⎀ිāļ¯්‍āļēාāļ­්āļ¸āļš āļ´āļģීāļš්⎂āļĢ āˇ€āļŊිāļą් āļ”āļ´්āļ´ු ⎀ේ.

Tuesday, October 18, 2022

Can colours do so much? ⎀āļģ්āļĢ_⎀āļŊāļ§_āļ´ු⎅ු⎀āļą්āļ¯_āļ¸ෙāļ ්āļ āļģ_āļ¯ෙāļēāļš්_āļšāļģāļą්āļą ?



Even though we don't know how many energies are there in this universe, are we using them wrongly?

In short, we use only 1% of the trillions of energies in the universe.

We don't know exactly that either

We do not know 100% about the energies we know and use except that we know some level of those energies.

They just think they know

We may not even have seen the unimaginable limit beyond the limit that we see that this is actually everything in this universe.

Among them, we are going to write today about the power of meditation, even though we use it normally, without knowing about it.

That is the power of #colors.

First of all, it should be noted that

Beloved teachers who led me to think and search for this,

Journalists,

in literature,

So this is how I will approach the story.

Unexpectedly, we

How many colors do we use?

In short, we live completely with colors 

The energy of these colors originates from our Sun.

It is almost impossible to finish mentioning the energy that we get from the spectrum of the sun.

So the colors of the clothes we wear,

The color of the vehicle we use,

The colors that have colored our house,

The colors of things around us,

Colores that constantly catch our eye,

Constantly searching for our eyes, eye-sensitive colors,

Here all these have a significant impact on our life indirectly but not directly.

Our mental strength,

physical strength,

Mental strength,

The energy of words, as well as the energy of colors like those around us, definitely affect our energy to decrease or increase.

Mental energy is the energy that comes from our thoughts.

Verbal power is the power built up from our words.

I will make a separate full introduction about these two.

Because these two are two mechanisms that produce amazing energy.

So if we talk about the strength of colors, we have to match the colors of the clothes we wear.

So, depending on the color of the clothes you wear, that energy can have certain effects on the occasions you wear those colors.

Those effects happen according to the energies produced according to the colors as follows.

#white_color

White color has the power to reflect all colors.

White often means purity and innocence

Also, there is a possibility of creating space through white color, for example, in a room painted in white color, it seems that there is more space than in another room.

Also, the ability to stand out in the white color is high.

In terms of creating positive feelings, white color can create feelings like purity, purity, freshness, and simplicity.

That is why people in the health field use white color for clothes and backgrounds.

If you look at it from the negative side, loneliness, desolation, and bronze feelings are associated with the color white.

But because these feelings work in harmony with your mental energy, you are fully capable of receiving that energy positively.

#black_color.

Black is a color that absorbs all other colors.

Black color is used as a color that represents mythical and inhuman powers.

And the black color is associated with unhappiness and deviant sexuality.

The color black is used to symbolize well-known villains

Black color is known as a color that highlights secret feelings...

If negative feelings are taken, black symbolizes death and mourning.

The special ability of black color is,

This is the reason why black is a popular color among fat people, making the body slimmer.

#red_color

Red color means excitement, warmth, and comfort, it is an amazing color,

Due to the special feature of seeing red-colored objects at a distance less than the distance relative to other objects, among many colors, the red color can grab attention first.

That is why red color is used for traffic signals all over the world.

This is why red is often used to show danger signals.

Because the red color has the power to increase the pulse rate, the red color is used to indicate a dangerous situation, so the body's activation for it as soon as it is shown has a higher value compared to other colors.

This color has a strong influence on the theory of fight and flight.

Red is used as the theme color of revolutions because of its unique ability to create exciting and aggressive feelings.

The color red is associated with love and warmth, as a color that creates strong emotions, love, warmth, anger, pain, and rage are created with the color red.

#blue_color

The blue color is mostly chosen by men.

Blue is a color that speaks to the mind,

The blue color is unique as a color that represents calmness and discipline, calmness, and calmness because blue color lowers body temperature and pulse rate.

Blue is a color that does not have any oppressive effect,

This blue color can create loneliness and sadness.

The efficiency of people working in a room painted blue is higher than that of people working in a room painted in other colors.

Because of this, the blue color is used to create office colors and uniforms in many countries of the world.

Blue can reduce appetite. If there are people who are on a diet, it is very appropriate to eat on a blue plate.

#green_color.

Green is a highly symbolic color.

The green color symbolizes a new birth.

In the same way, hope, optimism, forgiveness, strength, royalty, wealth, sportsmanship, responsibility, cleanliness, ease, competitiveness, and stability are highlighted through the color green.

Because it is located in the middle of the spectrum, it does not take extra energy to look at the green color, which has a high value in terms of color balance. Taking advantage of that advantage, according to the researchers, there is a good ability to develop reading using color.

That's why it's better to learn from the outdoors in an environment that is one with nature 

Green color can be named a very good color to release stress.

Jobs for people from outdoor jobs

The green color in the natural environment is a reason for reducing stress.

#yellow_color

Yellow can be called a color that develops strong emotions.

Has a quick attention span,

It also can strongly influence the eyes.

Eye defects can also be caused by working in yellow-colored backgrounds.

On the negative side, the color yellow has the potential to create doubt and anger.

People tend to release their stress in yellow rooms.

A small child in a yellow-painted room is more prone to crying.

Also, the yellow color can speed up the metabolic process. That means the ability to generate energy in the yellow color is more.

Yellow is often used in advertising because of its ability to attract attention.

#purple_color,

Purple is often used as a royal color.

The purple color, which is rarely seen in nature, often highlights the fact that it is artificially produced.

Purple color can be introduced as a color that can have a strong effect to create high thoughts in the mind.

The background with purple color symbolizes a knowledge-based background,

#brown_color

Brown often creates a thick, strong look.

But in some cases, the brown color symbolizes tiredness and laziness.

In the field of fashion as well as in the field of architecture, the use of brown colors can be seen.

Brown color lends itself well to creating traditional backgrounds.

As a color that can often be seen naturally, through brown colors,

Protect them, depend on them, be careful, be amazed,

Warmth, comfort, and safety are brought to mind in brown backgrounds.

That's why security officers often wear brown clothes.

#orange_color .

Orange is a very strong and energetic color.

Just like yellow color and red color

Because it was created from the combination of the two, this color also has the same qualities.

Orange is often used to promote happiness, enthusiasm, and determination.

Orange color can stimulate the mind.

As well as showing beauty, the orange color is used to show excitement and freshness.

And that's why the color is widely used for many cartoon characters and toys.

With these special features,

There is a spiritual power embedded in the orange color, which is why many religious statues use the orange color.

Also used for religious clothing,

#pink_color

Pink is a very delicate color,

A color of calmness, love, kindness,

In many cases, the color pink is used to represent women.

The color pink has freedom as well as love.

Because happiness and creativity are embedded in this, pink color is used in many creative activities.

#gray_color

From the point of view of psychological properties, single Gray color can be called a color without special quality.

That means Gray is a neutral color 

So, if you can get an idea of ​​how the energies of these colors are produced, you can use the energy of these colors in a very subtle and strategic way for those occasions and places.


 āļ…āļ´ි āļąො⎄ිāļ­ු⎀āļ§,

āļ…āļ´ි āļšොāļ ්āļ āļģ āļąāļ¸් ⎀āļģ්āļĢ āļ´ා⎀ිāļ ්āļ ි āļšāļģāļąāˇ€āļ¯?

āļšොāļ§ිāļą්āļ¸ āļšි⎀්⎀ොāļ­් āļ…āļ´ි ⎃āļ¸්āļ´ුāļģ්āļĢāļēෙāļą්āļ¸ āļĸී⎀āļ­් ⎀ෙāļą්āļąේ ⎀āļģ්āļĢāļ­් āļ‘āļš්ā

āļ¸ේ ⎀āļģ්āļĢ āˇ€āļŊ ⎁āļš්āļ­ිāļē āļ¸ූāļŊිāļš āˇ€ී āļ‡āļģāļšෙāļą්āļąේāļ¸ āļ…āļ´ේ ⎃ූāļģ්‍āļēාāļœෙāļą්.

⎃ූāļģ්‍āļēාāļœෙāļą් āļŊැāļļෙāļą āˇ€āļģ්āļĢා⎀āļŊිāļē āļ¸āļŸිāļą් ⎀ි⎁ාāļŊ ⎀⎁āļēෙāļą් āļ…āļ´ිāļ§ āļŊැāļļෙāļą āˇāļš්āļ­ීāļą් āļ´ි⎅ිāļļāļŗāˇ€ ⎃āļŗāˇ„āļą් āļšāļģāļŊා āļ…āˇ€āˇƒāļą් āļšāļģāļą්āļą āļļැāļģි āļ­āļģāļ¸්.

āļ‰āļ­ිāļą් āļ…āļ´ි āļ…āļŗිāļą āļ‡āļŗුāļ¸් ⎀āļŊ ⎀āļģ්āļĢ,

āļ…āļ´ි āļ´ා⎀ිāļ ්āļ ි āļšāļģāļą āˇ€ා⎄āļąāļēේ ⎀āļģ්āļĢāļē,

āļ…āļ´ේ āļœෙāļ¯āļģ ⎀āļģ්āļĢ⎀āļ­් āļšāļģāļŊා āļ­ිāļēෙāļą āˇ€āļģ්āļĢ,

āļ…āļ´ේ ⎀āļ§āļ´ිāļ§ා⎀ේ āļ­ිāļēෙāļą āļ¯ේ⎀āļŊ් ⎀āļŊ ⎀āļģ්āļĢ,

āļąිāļģāļą්āļ­āļģāļēෙāļą්āļ¸ āļ…āļ´ේ āļ‡āˇƒ āļœැāļ§ෙāļą āˇ€āļģ්āļĢ,

āļąිāļģāļą්āļ­āļģāļēෙāļą්āļ¸ āļ…āļ´ේ āļ‡āˇƒ ⎃ොāļēāļą, āļ‡āˇƒ ⎃ං⎀ේāļ¯ී ⎀āļģ්āļĢ,

āļ¸ෙāļą්āļą āļ¸ේ ⎄ැāļ¸āļ¯ේāļ¸ āļ…āļ´ේ āļĸී⎀ිāļ­āļē āļ§ āˇƒෘāļĸු⎀āļ¸ āļąැāļ­āļ­් ⎀āļš්‍āļģාāļšාāļģāļēෙāļą් āļēāļ¸් ⎃ැāļŊāļšිāļē āļēුāļ­ු āļļāļŊāļ´ෑāļ¸āļš් ⎃ිāļ¯ු āļšāļģāļąāˇ€ා.

āļ…āļ´ේ āļ¸ාāļąāˇƒිāļš āˇāļš්āļ­ිāļēāļ­්,

⎁ාāļģීāļģිāļš āˇāļš්āļ­ිāļēāļ­්,

āļ ිāļ­්āļ­ āˇāļš්āļ­ිāļēāļ­්,

⎀ාāļœ් ⎁āļš්āļ­ිāļēāļ­් , ⎀āļœේāļ¸ āļ…āļ´ි ⎀āļ§ා āļ­ිāļēෙāļą āļ¸ෙāļą්āļą āļ¸ේ ⎀āļœේ ⎀āļģ්āļĢ āˇ€āļŊ ⎁āļš්āļ­ිāļēāļ­් āļ…āļąි⎀ාāļģ්‍āļēෙāļą්āļ¸ āļ…āļ´ේ ⎁āļš්āļ­ිāļē āļ…āļŠු āļšāļģāļą්āļąāļ­් ⎀ැāļŠි āļšāļģāļą්āļąāļ­් āļļāļŊāļ´ාāļąāˇ€ා.

āļ ිāļ­්āļ­ āˇāļš්āļ­ිāļē āļšිāļēāļŊා āļšිāļēāļą්āļąේ āļ…āļ´ේ ⎃ිāļ­ි⎀ිāļŊි ⎀āļŊිāļą් āļœොāļŠ āļąැāļœෙāļą āˇāļš්āļ­ිāļē .

⎀ාāļœ් ⎁āļš්āļ­ිāļē āļšිāļēāļą්āļąේ āļ…āļ´ේ ⎀āļ āļą āˇ€āļŊිāļą් āļœොāļŠ āļąැāļœෙāļą āˇāļš්āļ­ිāļē .

āļ”āļą්āļą āļ”āļē āļ¯ෙā āļœැāļą āļ¸āļ¸ āˇ€ෙāļąāļ¸āļ¸ āļ´ූāļģ්āļĢ āˇ„ැāļŗිāļą්⎀ීāļ¸āļš් āļšāļģāļąāˇ€ා.

āļ¸ොāļšāļ¯ āļ¸ේ āļ¯ෙāļš āļ´ුāļ¯ුāļ¸ āˇāļš්āļ­ිāļēāļš් āļąිāļ´āļ¯āˇ€āļą āļēාāļą්āļ­්‍āļģāļą āļ¯ෙāļšāļš් āļąි⎃ා.

āļ‰āļ­ිāļą් ⎀āļģ්āļĢ āˇ€āļŊ ⎁āļš්āļ­ිāļē āļœැāļą āļšāļ­ා āļšāļŊොāļ­් , āļ…āļ´ිāļ§ āˇ€ැāļŠිāļēෙāļą්āļ¸ āˇ€āļģ්āļĢ āļœැāļŊāļ´ීāļ¸ āˇƒිāļ¯ු ⎀ෙāļą්āļąේ āļ…āļ´ි āļ…āļŗිāļą āļ‡āļŗුāļ¸් āļ´ැāļŊāļŗුāļ¸් ⎀ෙāļąු⎀ෙāļą් .

āļ‰āļ­ිāļą් āļ’ āļ…āļŗිāļą āļ‡āļŗුāļ¸් ⎀āļŊ ⎀āļģ්āļĢ āļ…āļąු⎀ āļ…āļąි⎀ාāļģ්‍āļēෙāļą්āļ¸ āļ”āļļāļ§ āļ’ āˇ€āļģ්āļĢāļēāļą් āļœෙāļą් āļ”āļļ ⎃ැāļģ⎃ී ⎃ිāļ§ිāļą āļ…āˇ€āˇƒ්āļŽා⎀āļą්āļ§ āļēāļ¸් āļēāļ¸් āļļāļŊāļ´ෑāļ¸් ⎃ිāļ¯ු āļšāļģāļą්āļą āļ’ āˇāļš්āļ­ිāļēāļ§ āˇ„ැāļšිāļēා⎀ āļ­ිāļēෙāļąāˇ€ා .

āļ’ āļļāļŊāļ´ෑāļ¸් ⎃ිāļ¯ු ⎀ෙāļą්āļąේ ⎀āļģ්āļĢ āˇ€āļŊāļ§ āļ…āļąු⎀ āļąිāļ´āļ¯ āˇ€āļą āˇāļš්āļ­ීāļą්āļ§ āļ…āļąු⎀ āļ¸ෙ⎄ෙāļ¸āļēි.

#⎃ුāļ¯ු_⎀āļģ්āļĢāļē

⎃ිāļēāļŊුāļ¸ āˇ€āļģ්āļĢāļēāļą් āļ´āļģා⎀āļģ්āļ­āļąāļē āļšිāļģීāļ¸ේ āļļāļŊāļēāļš් ⎃ුāļ¯ු ⎀āļģ්āļĢāļē āļ§ āļ­ිāļēෙāļąāˇ€ා .

⎃ුāļ¯ු ⎀āļģ්āļĢāļēෙāļą් āļļො⎄ෝ ⎀ෙāļŊා⎀āļ§ āļ…āļ¯āˇ„āˇƒ් ⎀ෙāļą්āļąේ āļ´ිāļģි⎃ුāļ¯ු āļļ⎀ ⎄ා āļ…⎄ිං⎃āļš āļļ⎀

āļ’ āˇ€āļœේāļ¸ āˇƒුāļ¯ු ⎀āļģ්āļĢāļē āļ­ු⎅ිāļą් āļ‰āļŠ āļ¸ැ⎀ීāļ¸ේ ⎄ැāļšිāļēා⎀āļš් āļ­ිāļēෙāļąāˇ€ා ,āļ‹āļ¯ා⎄āļģāļĢāļēāļš් ⎀ිāļ¯ි⎄āļ§ āˇƒුāļ¯ු ⎀āļģ්āļĢāļē āļ†āļŊේāļ´ āļšāļģāļą āļŊāļ¯ āļšාāļ¸āļģāļēāļš,āļ…āļąෙāļš් āļšාāļ¸āļģāļēāļšāļ§ āˇ€āļŠා āļ‰āļŠ āļ‡āļ­ි āļļ⎀ āļ´ෙāļąෙāļąāˇ€ා.

āļ’ āˇ€āļœේāļ¸ āļ­āļ¸āļēි ⎃ුāļ¯ු ⎃ුāļ¯ු ⎀āļģ්āļĢāļē āļ­ු⎅ āļ‡āļ­ි āļšැāļ´ී āļ´ෙāļąීāļ¸ේ ⎄ැāļšිāļēා⎀ ⎀ැāļŠිāļēි .

āļ°āļąාāļ­්āļ¸āļš āˇ„ැāļŸීāļ¸් āļ‹āļ´āļ¯āˇ€āļą āļ´ැāļ­්āļ­ෙāļą් āļœāļ­්āļ­ොāļ­් ,⎃ුāļ¯ු āļ´ාāļ§ිāļą් āļ´ි⎀ිāļ­ුāļģු āļļ⎀ ,āļąිāļģ්āļ¸āļŊ āļļ⎀ ,āļąැ⎀ුāļ¸් āļļ⎀ ⎄ා ⎃āļģāļŊ āļļ⎀ ⎀āļœේ ⎄ැāļŸීāļ¸් āļ‹āļ´āļ¯ āˇ€ීāļ¸ේ ⎄ැāļšිāļēා⎀ āļ­ිāļēෙāļąāˇ€ා ,

āļ’ āļąි⎃ාāļ¸ āļ­āļ¸āļēි ⎃ෞāļ›්‍āļē āļš්⎂ේāļ­්‍āļģāļēේ āļ‰āļą්āļą āļ´ිāļģි⎃් ⎃ුāļ¯ු ⎀āļģ්āļĢ āļē āļ‡āļŗුāļ¸් āļ´ැāļŊāļŗුāļ¸් ⎄ා āļ´āˇƒුāļļිāļ¸් ⎃āļŗāˇ„ා āļˇා⎀ිāļ­ා āļšāļģāļąු āļŊāļļāļą්āļąේ ,

āļāļĢාāļ­්āļ¸āļš āļ´ැāļ­්āļ­ෙāļą් āļļැāļŊු⎀ොāļ­් ⎄ුāļ¯āļšāļŊා āļļ⎀ āļ´ාāļŊු āļļ⎀,āļšාāļą්⎃ිāļē ⎀āļœේ ⎄ැāļŸීāļ¸්⎀ුāļ­් ⎃ුāļ¯ු āļ´ාāļ§āļ­් āļ‘āļš්āļš āļļැāļŗිāļŊා āļ­ිāļēෙāļąāˇ€ා.

āļąāļ¸ුāļ­් āļ¸ේ ⎄ැāļŸීāļ¸් āļ”āļļේ āļ ිāļ­්āļ­ āˇāļš්āļ­ිāļē ⎄ා āļ…āļąුāļœāļ­ āˇ€ෙāļŊා āļš්‍āļģිāļēාāļ­්āļ¸āļš āˇ€āļą āļąි⎃ා āļ”āļļāļ§ āļ’ āˇāļš්āļ­ිāļē āļ°āļąාāļ­්āļ¸āļš āˇ€ිāļ¯ිāļēāļ§ āļŊāļļාāļœāļą්āļą āˇƒāļ¸්āļ´ුāļģ්āļĢāļēෙāļą්āļ¸ āˇ„ැāļšිāļēා⎀ āļ­ිāļēෙāļąāˇ€ා .


#āļšāļŊු_⎀āļģ්āļĢāļē.


āļšāˇ…ු ⎀āļģ්āļĢāļē āļ…āļąිāļ­් ⎀āļģ්āļĢ āļ”āļš්āļšොāļ¸ āļ‹āļģා āļœāļą්āļą āˇ€āļģ්āļĢāļēāļš්,

āļ¸ිāļŽ්‍āļēා ⎄ා āļ…āļ¸āļąු⎂්‍āļē āļļāļŊ ⎀ේāļœ āļąිāļģූāļ´āļĢāļē āļšāļģāļą āˇ€āļģ්āļĢāļēāļš් ⎀ිāļ¯ිāļēāļ§ āļ­āļ¸āļēි āļšāˇ…ු ⎀āļģ්āļĢāļē āļˇා⎀ිāļ­ා āļšāļģāļą්āļąේ.

āļ’ āˇ€āļœේāļ¸ āļšāˇ…ු ⎀āļģ්āļĢāļēේ āļļැāļŗිāļŊා āļ­ිāļēෙāļąāˇ€ා āļ…āˇƒāļ­ුāļ§ āˇ€ිāļšෘāļ­ි āļŊිංāļœිāļšāļ­්⎀āļē ,

āļ´ි⎅ිāļœāļ­් āļ´්‍āļģ⎃ිāļ¯්āļ° āļ¯ු⎂්āļ§ āļ āļģිāļ­ āˇƒංāļšේāļ­āˇ€āļ­් āļšāļģāļą්āļą āļšāˇ…ු ⎀āļģ්āļĢāļē āļēොāļ¯ා āļœāļą්āļąāˇ€ා

āļœුāļ´්āļ­ āˇ„ැāļŸීāļ¸් āļģāˇ„āˇƒිāļœāļ­ āˇ„ැāļŸීāļ¸් āļ‰āˇƒ්āļ¸āļ­ු āļšāļģāļą āˇ€āļģ්āļĢāļēāļš් ⎀ිāļ¯ිāļēāļ§ āļ­āļ¸āļēි āļšāˇ…ු ⎀āļģ්āļĢāļē ⎄ැāļŗිāļą්⎀ෙāļą්āļąේ...

āļāļĢාāļ­්āļ¸āļš āˇ„ැāļŸීāļ¸් āļœāļ­්āļ­ොāļ­් āļ¸āļģāļĢāļē āˇƒāˇ„ ⎀ැāļŊāļ´ීāļ¸ āļ´ි⎅ිāļļāļŗāˇ€ āļšāˇ…ු ⎀āļģ්āļĢāļēෙāļą් ⎃ංāļšේāļ­āˇ€āļ­් ⎀ෙāļąāˇ€ා .

āļšāļŊු ⎀āļģ්āļĢāļēāļ§ āļ‡āļ­ි ⎀ි⎁ේ⎂ ⎄ැāļšිāļēා⎀āļš් āļ­āļ¸āļēි ,

⎁āļģීāļģāļē āļšෙāļ§්āļ§ු āļšāļģ āļ´ෙāļą්⎀ීāļ¸,āļ­āļģāļļාāļģු āļ´ුāļ¯්āļœāļŊāļēāļą් āļ…āļ­āļģ āļšāļŊු ,āļĸāļąāļ´්‍āļģිāļē ⎀āļģ්āļĢāļēāļš් ⎀ීāļ¸āļ§ āļ¸ේ ⎄ේāļ­ු⎀ āļļāļŊāļ´ාāļąāˇ€ා,

#āļģāļ­ු_⎀āļģ්āļĢāļē

āļģāļ­ු ⎀āļģ්āļĢāļē āļšිāļēāļą්āļąේ āļ‹āļ¯්‍āļēෝāļœිāļ¸āļ­් āļļ⎀,āļ‹āļĢු⎃ුāļ¸් āļļ⎀ āˇƒāˇ„ ⎃ු⎀ āļ´āˇ„āˇƒු⎀ ,āļ‰āˇƒ්āļ¸āļ­ු āļšāļģāļą āˇ€āļģ්āļĢāļēāļš්,

āļģāļ­ු ⎀āļģ්āļĢ⎀āļ­් āˇ€āˇƒ්āļ­ුāļą් āļ…āļąෙāļš් āˇ€āˇƒ්āļ­ූāļą්āļ§ āˇƒාāļ´ේāļš්⎁⎀ āļ´āˇ€āļ­ිāļą āļ¯ුāļģ āļ§ āˇ€āļŠා āļ…āļŠු āļ¯ුāļģāļšිāļą් āļ´ෙāļąීāļ¸ේ ⎀ි⎁ේ⎂ිāļ­ āļŊāļš්⎂āļĢāļē āļąි⎃ා ⎀āļģ්āļĢ āļœāļĢāļąා⎀āļš් āļ…āļ­āļģිāļą් , āļ…⎀āļ°ාāļąāļē āļ´āˇ…āļ¸ු⎀ āļ´ැ⎄ැāļģāļœැāļąීāļ¸ේ ⎄ැāļšිāļēා⎀ āļģāļ­ු ⎀āļģ්āļĢāļēāļ§ āļ´āˇ€āļ­ිāļąāˇ€ා ,

āļ’ āļąි⎃ා āļ­āļ¸āļēි āļŊෝāļšāļē āļ´ුāļģාāļ¸ āˇ€ා⎄āļą āˇ„ැ⎃ිāļģ⎀ීāļ¸ේ ⎃ංāļĨා ⎃āļŗāˇ„ා āļģāļ­ු ⎀āļģ්āļĢāļē āļˇා⎀ිāļ­ා āļšāļģāļąු āļŊāļļāļą්āļąේ ,

āļ…⎀āļ¯ාāļąāļ¸් ⎃ංāļĨා āļ´ෙāļą්⎀ීāļ¸ āˇƒāļŗāˇ„ාāļ­් āļļො⎄ෝ ⎀ිāļ§ āļģāļ­ු ⎀āļģ්āļĢ āļˇා⎀ිāļ­ා āļšāļģāļą්āļąේ āļ¸ේ āļąි⎃ාāļ¸āļēි,

āļąාāļŠි ⎀ැāļ§ීāļ¸ේ ⎀ේāļœāļē ⎀ැāļŠි āļšිāļģීāļ¸ේ āļļāļŊāļēāļš් āļģāļ­ු ⎀āļģ්āļĢāļēāļ§ āļ‡āļ­ි āļąි⎃ා ,āļ…⎀āļ¯ාāļąāļ¸් āļ…āˇ€āˇƒ්āļŽා⎀āļš් āļ¸āļ­ුāļšāļģ āļ¯ැāļš්⎀ීāļ¸ේāļ¯ී āļģāļ­ු ⎀āļģ්āļĢāļē āļˇා⎀ිāļ­ා āļšāļģāļąāˇ€ා āļ‘āļ¸ āļąි⎃ා⎀ෙāļą් āļ‘āļē āļ¯ැāļš්⎀ූ ⎀ිāļœāˇƒ ⎁āļģීāļģāļē āļ’ āˇƒāļŗāˇ„ා āļš්‍āļģිāļēාāļ­්āļ¸āļš āˇ€ීāļ¸ ,āļ…āļąෙāļš් ⎀āļģ්āļĢāļēāļą්āļ§ āˇƒාāļ´ේāļš්⎂⎀ āļ‰āˇ„⎅ āļ…āļœāļēāļš් āļœāļą්āļąāˇ€ා.

⎃āļ§āļą් āļšිāļģීāļ¸ āˇ„ා āļ´āļŊා āļēාāļ¸ āļēāļą āļą්‍āļēාāļē ⎃āļŗāˇ„ා āļ¯ැāļŠි āļļāļŊāļ´ෑāļ¸āļš් āļ¸ෙāļ¸ āˇ€āļģ්āļĢāļēෙāļą් āļŊැāļļෙāļąāˇ€ා .

āļ‹āļ¯්⎀ේāļœāļšාāļģී āļ†āļš්‍āļģāļ¸āļĢ⎁ීāļŊී ⎄ැāļŸීāļ¸් āļ‹āļ´āļ¯ āˇ€ීāļ¸āļ§ āļ‡āļ­ි ⎃ු⎀ි⎁ේ⎂ී ⎄ැāļšිāļēා⎀ āļąි⎃ා ,⎀ිāļ´්āļŊ⎀āļēāļą්⎄ි āļ­ේāļ¸ා ⎀āļģ්āļĢāļē āļŊෙ⎃ ,āļģāļ­ු ⎀āļģ්āļĢāļē āļēොāļ¯ා āļœāļą්āļąāˇ€ා.

āļģāļ­ු ⎀āļģ්āļĢāļē āļļැāļ¯ිāļŊා āļ­ිāļēāļą්āļąේ āļ†āļ¯āļģේ āļ‘āļš්āļš āļ’ āˇ€āļœේāļ¸ āļ‹āļĢු⎃ුāļ¸ āļ‘āļš්āļš,āļ´්‍āļģāļļāļŊ āļ ිāļ­්āļ­āˇ€ේāļœ āļ‹āļ´āļ¯āˇ€āļą āˇ€āļģ්āļĢāļēāļš් ⎀ිāļ¯ිāļēāļ§ ,āļ†āļ¯āļģāļē ,āļ‹āļĢු⎃ුāļ¸ ,āļšෝāļ´āļē ,⎀ේāļ¯āļąාāļšාāļģී āļļ⎀ ,āļģාāļœාāļą්⎀ිāļ­ āļļ⎀ āļģāļ­ු ⎀āļģ්āļĢāļēāļ­් ⎃āļ¸āļœ āļ‡āļ­ි āļšෙāļģෙāļąāˇ€ා



#āļąිāļŊ්_⎀āļģ්āļĢāļē

āļąිāļŊ් ⎀āļģ්āļĢāļē āļœොāļŠāļš්āļ¸ āļ­ෝāļģා āļœāļą්āļąේ āļ´ිāļģිāļ¸ි āļ…āļē.
āļąිāļŊ් ⎀āļģ්āļĢāļē āļ¸āļąāˇƒāļ§ āļšāļ­ා āļšāļģāļą āˇ€āļģ්āļĢāļēāļš්,
⎃āļą්⎃ුāļą් āļļ⎀ ⎄ා ⎀ිāļąāļēාāļąුāļšූāļŊ āļļ⎀,āļąි⎃්āļšāļŊංāļš āļļ⎀,⎁ාāļą්āļ­ āļļ⎀ āļąිāļģූāļ´āļĢāļē āļšāļģāļą .⎀āļģ්āļĢāļēāļš් āļŊෙ⎃ āļąිāļŊ් ⎀āļģ්āļĢāļē ⎃ු⎀ි⎁ේ⎂ී ⎀āļą්āļąේ ,āļąිāļŊ් ⎀āļģ්āļĢāļē āļ¸āļœිāļą් ⎁āļģීāļģ āļ‹āˇ‚්āļĢāļ­්⎀āļē ⎄ා āļąාāļŠි ⎀ැāļ§ීāļ¸ේ ⎀ේāļœāļē āļ…āļŠු āļšāļģāļą āļąි⎃ා.
āļąිāļŊ් ⎀āļģ්āļĢāļē āļšි⎃ිāļ¯ු āļ´ීāļŠිāļ­ āļļāļŊāļ´ෑāļ¸āļš් āļ‡āļ­ි āļąොāļšāļģāļą āˇ€āļģ්āļĢāļēāļš්,
⎄ුāļ¯āļšāļŊා āļļ⎀ āˇƒāˇ„ ⎁ෝāļšāļē āļąිāļģ්āļ¸ාāļĢāļē āļšිāļģීāļ¸ේ ⎄ැāļšිāļēා⎀āļš් āļ¸ේ āļąිāļŊ් ⎀āļģ්āļĢāļ§ āļ­ිāļēෙāļąāˇ€ා .
āļąිāļŊ් āļ´ාāļ§ āļ†āļŊේāļ´ āļšāļģāļą āļŊāļ¯ āļšාāļ¸āļģāļēāļš āˇ€ැāļŠ āļšāļģāļą āļ´ුāļ¯්āļœāļŊāļēිāļą්āļœේ āļšාāļģ්āļēāļš්⎂āļ¸āļ­ා⎀āļē āļĩāļŊāļ¯ාāļēීāļ­ා⎀āļē āļ…āļąිāļ­් ⎀āļģ්āļĢ āļ†āļŊේāļ´ āļšāļģāļ´ු āļšාāļ¸āļģāļēāļš āˇ€ැāļŠ āļšāļģāļą āļ´ුāļ¯්āļœāļŊāļēිāļą්āļ§ āˇ€āļŠා āļ‰āˇ„⎅ āļ…āļœāļēāļš් āļœāļą්āļąāˇ€ා ,
āļ¸ේ āļąි⎃ා āļŊෝāļšāļēේ āļļො⎄ෝ āļģāļ§āˇ€āļŊ් ⎀āļŊ āļšාāļģ්āļēාāļŊ ⎀āļģ්āļĢāļēāļą් āļąිāļģ්āļ¸ාāļĢāļē āļšිāļģීāļ¸āļ§ āˇƒāˇ„ , āļąිāļŊ āļ‡āļŗුāļ¸් āļąිāļģ්āļ¸ාāļĢāļē āļšිāļģීāļ¸ āļ§ āļąිāļŊ් ⎀āļģ්āļĢāļē āļēොāļ¯ා āļœāļą්āļąāˇ€ා,
āļąිāļŊ් āļ´ාāļ§āļ§ āļšෑāļ¸ āļģුāļ ිāļē āļ…āļŠු āļšිāļģීāļ¸ේ ⎄ැāļšිāļēා⎀āļš් āļ­ිāļēෙāļąāˇ€ා. āļ†āˇ„ාāļģ āļ´ාāļŊāļąāļēāļš āļēෙāļ¯ෙāļą āļ…āļē āļ‰āļą්āļąāˇ€āļąāļ¸් āļąිāļŊ් āļ´ාāļ§ āļ´ිāļŸාāļąāļš āļšāļą āļ‘āļš āļ‰āļ­ාāļ¸āļ­් ⎃ුāļ¯ු⎃ුāļēි.

#āļšො⎅_⎀āļģ්āļĢāļē.

āļšො⎅ ⎀āļģ්āļĢāļē āļ‰āļ­ා ⎀ි⎁ාāļŊ āļŊෙ⎃ ⎃ංāļšේāļ­āˇ€āļ­් ⎀āļą āˇ€āļģ්āļĢāļēāļš්,
āļšො⎅ ⎀āļģ්āļĢāļē āļ­ු⎅ිāļą් āļ…⎅ුāļ­් āļ‹āļ´āļ­āļš් ⎃ංāļšේāļ­āˇ€āļ­් ⎀āļąāˇ€ා ,
āļ’ āˇ€āļœේ āļ¸ āļ­āļ¸āļēි āļļāļŊාāļ´ොāļģොāļ­්āļ­ු ,⎃ුāļļ⎀ාāļ¯ී āļļ⎀ ,⎃āļ¸ා⎀ āļ¯ීāļ¸,⎁āļš්āļ­ිāļ¸āļ­් āļļ⎀,āļģාāļĸāļšීāļē āļļ⎀ ,āļ°āļąāˇ€āļ­් āļļ⎀ ,āļš්‍āļģීāļŠා⎁ීāļŊී āļļ⎀ ,⎀āļœāļšීāļ¸් āˇƒāˇ„āļœāļ­ āļļ⎀,āļ´ිāļģි⎃ිāļŗු āļļ⎀ āļ´āˇ„āˇƒු āļļ⎀ ,āļ­āļģāļœāļšාāļģී āļļ⎀, ⎃්āļŽා⎀āļģ āļļ⎀,āļšො⎅ ⎀āļģ්āļĢāļē āļ­ු⎅ිāļą් āļ‰āˇƒ්āļ¸āļ­ු ⎀ෙāļąāˇ€ා .
⎀āļģ්āļĢා⎀āļŊිāļēේ āļ¸ැāļ¯ āļ´ි⎄ිāļ§ා āļ­ිāļļීāļ¸ āļąි⎃ා ⎀āļģ්āļĢ āˇƒāļ¸āļ­ුāļŊිāļ­āļ­ා⎀āļē āļ…āļ­ිāļą් āļ‰āˇ„⎅ āļ…āļœāļē ⎃ිāļ§ිāļą āļšො⎅ ⎀āļģ්āļĢāļē āļ¯ෙ⎃ āļļැāļŊීāļ¸āļ§ āļ…āļ¸āļ­āļģ ⎁āļš්āļ­ිāļēāļš් ⎀ැāļē ⎀ෙāļą්āļąේ āļąැ⎄ැ ,āļ’ āˇ€ා⎃ි āˇƒāˇ„āļœāļ­ āļ­āļ­්āļ­්⎀āļē āļ´්‍āļģāļēෝāļĸāļąāļēāļ§ āļœāļąිāļ¸ිāļą් āļ´āļģ්āļēේ⎂āļšāļēāļą්āļ§ āļ…āļąු⎀ ⎄ා āļ´ැ⎄ැāļē āļˇා⎀ිāļ­ා āļšāļģāļ¸ිāļą් āļšිāļē⎀ීāļ¸ āˇ€āļģ්āļ°āļąāļē āļšිāļģීāļ¸ේ ⎄ොāļ¯ āˇ„ැāļšිāļēා⎀āļš් āļ´āˇ€āļ­ිāļąāˇ€ා,.
⎃ොāļļාāļ¯āˇ„āļ¸ āˇ„ා āļ‘āļš් ⎀ූ ⎀āļ§āļ´ිāļ§ා⎀āļš āļ‘⎅ි āļ¸āļœāļąේ āļ‰āļŗāļą් āļ´ාāļŠāļ¸් āļ‘⎄ෙāļ¸ āļšāļģāļąāˇ€ා āļąāļ¸් ⎄ොāļŗāļēි āļšිāļēāļą්āļąේ āļ’āļšāļēි 
āļ†āļ­āļ­ිāļē āļ¸ුāļ¯ා ⎄ැāļģීāļ¸āļ§ āļ‰āļ­ාāļ¸āļ­් ⎄ොāļŗ āˇ€āļģ්āļĢāļēāļš් ⎀ිāļ¯ි⎄āļ§ āļšො⎅ ⎀āļģ්āļĢāļē āļąāļ¸් āļšāļģāļą්āļą āļ´ු⎅ු⎀āļą් ,
āļ‘⎅ිāļ¸āˇ„āļąේ āļģැāļšිāļēා ⎀āļŊිāļą් āļ‰āļą්āļą āļ´ිāļģි⎃් ⎄āļ§ āļģැāļšිāļēා 
āļ†āļ­āļ­ිāļē āļ…āļŠු ⎀ීāļ¸ āļ§ āˇƒ්⎀āļˇා⎀ිāļš āļ´āļģි⎃āļģāļē āļ­ු⎅ āļ‡āļ­ි āļšො⎅ ⎀āļģ්āļĢāļē ⎄ේāļ­ු⎀āļš් ,

#āļšāˇ„_⎀āļģ්āļĢāļē

⎁āļš්āļ­ිāļ¸āļ­් ⎄ැāļŸීāļ¸් ⎀āļģ්āļ°āļąāļē āļšāļģāļą āˇ€āļģ්āļĢāļēāļš් ⎀ිāļ¯ිāļēāļ§ āļ­āļ¸āļēි ,āļšāˇ„ ⎀āļģ්āļĢāļē ⎄āļŗුāļą්⎀āļą්āļą āļ´ු⎅ු⎀āļą් , 
āļ‰āļš්āļ¸āļąිāļą් āļ…⎀āļ°ාāļąāļē āļšāļģ āļœැāļąීāļ¸ේ ⎄ැāļšිāļēා⎀āļš් āļ­ිāļēāļąāˇ€ා ,
āļ’ āˇ€āļœේāļ¸ āļ­āļ¸āļēි āļ‡āˇƒ් ⎀āļŊāļ§ āļ­āļ¯āļļāļŊ ⎀ිāļ¯ිāļēāļ§ āļļāļŊāļ´ෑāļ¸් āļšිāļģීāļ¸ේ ⎄ැāļšිāļēා⎀āļšුāļ­් āļ­ිāļēෙāļąāˇ€ා ,
āļ…āļš්⎂ි āļ¯ෝ⎂ ⎀āļŊāļ§āļ­් āļšāˇ„ ⎀āļģ්āļĢ āļ´āˇƒුāļļිāļ¸් ⎀āļŊ ⎀ැāļŠ āļšිāļģීāļ¸ āˇ„ේāļ­ු ⎀ෙāļą්āļą āļ´ු⎅ු⎀āļą්.
āļāļĢාāļ­්āļ¸āļš āļ´ැāļ­්āļ­ෙāļą් āļœāļ­්āļ­ොāļ­් ,āļšāˇ„ ⎀āļģ්āļĢāļēāļ§ ,⎃ැāļšāļē āˇƒāˇ„ āļ­āļģ⎄ āļ‹āļ´āļ¯ āˇ€ීāļ¸ේ ⎄ැāļšිāļēා⎀āļšුāļ­් āļ­ිāļēෙāļąāˇ€ා ,
āļšāˇ„ āļ´ැ⎄ැāļ­ි āļšාāļ¸āļģ āļ­ුāļŊ āļ´ුāļ¯්āļœāļŊāļēිāļą් āļ”⎀ුāļą්āļœේ āļ´ීāļŠāļąāļēāļą් āļ´ිāļ§ āļšිāļģීāļ¸āļ§ āļ­ිāļēෙāļą āļ´්‍āļģ⎀āļĢāļ­ා⎀āļē ⎀ැāļŠිāļēි, 
āļšāˇ„ා āļ´ාāļ§ āļœාāļ´ු āļšාāļ¸āļģāļēāļš āļ‰āļą්āļą āļ´ොāļŠි ⎅āļ¸āļēෙāļš් āļąිāļ­āļģāļ¸ āļ…āļŠāļą්āļą āļ­ිāļēෙāļą āļ´්‍āļģ⎀āļĢāļ­ා⎀ ⎀ැāļŠිāļēි ,
āļ’ āˇ€āļœේāļ¸ āļ­āļ¸āļēි āļšāˇ„ ⎀āļģ්āļĢāļēāļ§ āļ´āļģි⎀ෘāļ­්āļ­ිāļē āļšාāļģ්‍āļē්āļē ⎀ේāļœāˇ€āļ­් āļšිāļģීāļ¸ේ ⎄ැāļšිāļēා⎀āļš් āļ­ිāļēෙāļąāˇ€ා .āļ’ āļšිāļēāļą්āļąේ āļšāˇ„⎀āļģ්āļĢāļē āļ­ු⎅ ⎁āļš්āļ­ිāļē āļ‹āļ´āļ¯ āˇ€ීāļ¸ේ ⎄ැāļšිāļēා⎀ ⎀ැāļŠිāļēි .
āļšāˇ„ ⎀āļģ්āļĢāļēේ āļ­ිāļēෙāļą āļ…⎀āļ°ාāļąāļē āļŊāļļා āļœැāļąීāļ¸ේ ⎄ැāļšිāļēා⎀ āļąි⎃ාāļ¸ āļ¯ැāļą්⎀ීāļ¸් āļ´්‍āļģāļ ාāļģāļĢāļē āļ­ු⎅ āļšāˇ„ ⎀āļģ්āļĢāļē āļˇා⎀ිāļ­ා āļšිāļģීāļ¸ āļļො⎄ෝ ⎀ිāļ§ āˇƒිāļ¯ු ⎀āļąāˇ€ා..

#āļ¯āļ¸්_⎀āļģ්āļĢāļē,

āļ¯āļ¸්āļ´ැ⎄ැāļē āļģාāļĸāļšීāļē ⎀āļģ්āļĢāļēāļš් ⎀ිāļ¯ිāļēāļ§ āļ­āļ¸āļēි ⎄ුāļŸāļš් ⎀ෙāļŊා⎀āļ§ āļˇා⎀ිāļ­ා ⎀ෙāļą්āļąේ ,
⎃්⎀āļˇා⎀āļ°āļģ්āļ¸āļē āļ­ු⎅ ⎄āļģි āļ…āļŠු⎀ෙāļą් āļ¯āļš්āļąāļ§ āļŊැāļļෙāļą āļ¯āļ¸් ⎀āļģ්āļĢāļē āļļො⎄ෝ ⎀ෙāļŊා⎀āļ§ āļšෘāļ­ිāļ¸ āļļ⎀ āļąි⎂්āļ´ාāļ¯āļąāļē āļšāļģāļą āļŊāļ¯ āļļ⎀ āļ‰āˇƒ්āļ¸āļ­ු āļšāļģāļąāˇ€ා ,
āļ‹āˇƒāˇƒ් ⎃ිāļ­ු⎀ිāļŊි āļ¸āļąāˇƒ āļ­ු⎅ āļ‡āļ­ි āļšිāļģීāļ¸ āˇƒāļŗāˇ„ා āļ´්‍āļģāļļāļŊ āļļāļŊāļ´ෑāļ¸āļš් āļ‘āļŊ්āļŊ āļšāļģāļą්āļą āļ´ු⎅ු⎀āļą් ⎀āļģ්āļĢāļēāļš් ⎀ිāļ¯ි⎄āļ§ āļ¯āļ¸් ⎀āļģ්āļĢāļē ⎄āļŗුāļą්⎀ා āļ¯ෙāļą්āļą āļ´ු⎅ු⎀āļą් ,
āļ¯āļ¸් ⎀āļģ්āļĢāļē āˇƒāˇ„ිāļ­ āļ´āˇƒුāļļිāļ¸ āļ­ු⎅ිāļą් ⎃ංāļšේāļ­āˇ€āļ­් ⎀ෙāļą්āļąේ āļ¯ැāļąුāļ¸ āļ¸ූāļŊිāļš āļ´āˇƒුāļļිāļ¸āļš්,

#āļ¯ුāļšුāļģු_⎀āļģ්āļĢāļē

āļ¯ුāļšුāļģු ⎀āļģ්āļĢāļē āļļො⎄ෝ⎀ිāļ§ āļ‡āļ­ි āļšāļģāļą්āļąේ āļāļąāļšāļ¸් ⎁āļš්āļ­ිāļ¸āļ­් āļ´ෙāļąුāļ¸āļš් ,
āļ‘⎄ෙāļ­් āļ‡āļ­ැāļ¸් āļ…āˇ€āˇƒ්āļŽා⎀āļŊ āļ¯ුāļšුāļģු ⎀āļģ්āļĢāļē āļ¸āļŸිāļą් āļ…āļŊ⎃ āļļ⎀ āļ‘āļ´ා ⎀ුāļą āļļ⎀ ⎃ංāļšේāļ­āˇ€āļ­් ⎀ෙāļąāˇ€ා ,
⎀ිāļŊා⎃ිāļ­ා āļš්⎂ේāļ­්‍āļģāļēේ ⎀āļœේāļ¸ āļœෘ⎄ āļąිāļģ්āļ¸ාāļĢ āļš්⎂ේāļ­්‍āļģāļēේāļ­් ,āļ¯ුāļšුāļģු ⎀āļģ්āļĢ āļˇා⎀ිāļ­ා āļšිāļģීāļ¸ āˇƒුāļŊāļļ⎀ āļ¯āļšිāļą්āļą āļ´ු⎅ු⎀āļą් ,
⎃ාāļ¸්āļ´්‍āļģāļ¯ාāļēිāļš āļ´āˇƒුāļļිāļ¸් āļąිāļģ්āļ¸ාāļĢāļē āļšිāļģීāļ¸āļ§ āļ¯ුāļšුāļģු ⎀āļģ්āļĢāļēෙāļą් ⎄ොāļŗ āˇƒāˇ„āļēෝāļœāļēāļš් āļŊැāļļෙāļąāˇ€ා.
⎃්⎀āļˇා⎀ිāļšāˇ€ āļąිāļ­āļģ āļ¯āļšිāļą්āļąāļ§ āļ´ු⎅ු⎀āļą් ⎀āļģ්āļĢāļēāļš් ⎀ිāļ¯ි⎄āļ§ ,āļ¯ුāļšුāļģු ⎀āļģ්āļĢ āļē āļ­ු⎅ිāļą් ,
āļ†āļģāļš්⎂ා⎀ āļģැāļš āļļāļŊා āļœැāļąීāļ¸ ,āļ”⎀ුāļą් āļ”⎀ුāļą් āļ¸āļ­ āļēැāļ´ීāļ¸ ,āļ´āļģි⎃්⎃āļ¸,āļ‰āˇƒ්āļ¸āļ­ු ⎀ෙāļąāˇ€ා ,
āļ‹āļĢු⎃ුāļ¸් āļļ⎀ ,⎃ු⎀āļ´āˇ„āˇƒු āļ¯ාāļēāļš āļļ⎀ ,āļ†āļģāļš්⎂ා āļšාāļģී āļļ⎀ āļ¯ුāļšුāļģු āļ´ැ⎄ැāļ­ි āļ´āˇƒුāļļිāļ¸් āļ­ු⎅ āļ¸āļąāˇƒāļ§ āļ‡āļ­ි āļšāļģāļąāˇ€ා.
āļ†āļģāļš්⎂āļš āļąිāļŊāļ°ාāļģීāļą් āļļො⎄ෝ ⎀ිāļ§ āļ¯ුāļšුāļģු āļ´ැ⎄ැāļ­ි āļ‡āļŗුāļ¸් āļ´ැ⎅āļŗුāļ¸් ⎀āļŊිāļą් ⎃ැāļģ⎃ෙāļą්āļąේ āļ’ āļąි⎃ා .#āļ­ැāļšිāļŊි_⎀āļģ්āļĢāļē .
āļ­ැāļšිāļŊි ⎀āļģ්āļĢāļē āļ‰āļ­ාāļ¸āļ­් ⎁āļš්āļ­ිāļ¸āļ­් āļĸāˇ€āˇƒāļ¸්āļ´āļą්āļą āˇ€āļģ්āļĢāļēāļš් ,
⎄āļģිāļēāļ§ āļšāˇ„ ⎀āļģ්āļĢāļēāļēි āļģāļ­ු ⎀āļģ්āļĢāļēāļēි ⎀āļœේāļ¸
āļ’ āļ¯ෙāļšේ āļ‘āļšāļ­ු⎀ෙāļą් āļąිāļģ්āļ¸ාāļĢāļē āļ‹āļą āļąි⎃ා āļ¸ේ ⎀āļģ්āļĢāļēāļ§āļ­් āļ’ āļœුāļĢ āļ­ිāļēāļąāˇ€ා .
āļļො⎄ෝ ⎀ෙāļŊා⎀āļ§ āļ­ැāļšිāļŊි ⎀āļģ්āļĢāļēෙāļą්,⎃āļ­ුāļ§ āļ‹āļ¯්āļēෝāļœāļē ,āļ…āļ°ි⎂්āļ¨ාāļąāļē⎀āļ­් āļļ⎀ āļ‰āˇ„⎅ āļąං⎀āļąāˇ€ා,
āļ­ැāļšිāļŊි ⎀āļģ්āļĢāļē āļ§ āļ¸āļąāˇƒ āļ‹āļ­්āļ­ේāļĸāļąāļē āļšිāļģීāļ¸ේ ⎄ැāļšිāļēා⎀āļš් āļ­ිāļēෙāļąāˇ€ා .
āļŊ⎃්⎃āļą āļ‰āˇƒ්āļ¸āļ­ු āļšāļģāļŊා āļ´ෙāļą්āļąāļą්āļą āˇ€āļœේāļ¸ ,āļ‹āļ¯්āļēෝāļœිāļ¸āļ­් āļļ⎀ āļąැ⎀ුāļ¸් āļļ⎀ āļ‰āˇƒ්āļ¸āļ­ු āļšāļģāļŊ āļ´ෙāļą්āļąāļą්āļą āļ­ැāļšිāļŊි ⎀āļģ්āļĢāļē āļēොāļ¯ා āļœāļą්āļąāˇ€ා,
āļ’ āˇ€āļœේāļ¸ āļœොāļŠāļš් āļšාāļ§ුāļą් āļ āļģිāļ­ āˇƒāļŗāˇ„ා āļ’ āˇ€āļœේāļ¸ āˇƒෙāļŊ්āļŊāļ¸් āļļāļŠු ⎃āļ¯āˇ„ාāļ­් āļ­ැāļļිāļŊි ⎀āļģ්āļĢāļē āļļ⎄ුāļŊ ⎀ āļēොāļ¯ා āļœāļą්āļąේ āļ’ āļąි⎃āļēි .
āļ¸ේ āļ­ිāļēෙāļą āˇ€ි⎁ේ⎂ āļŊāļš්⎂āļĢāļ­් āļ‘āļš්āļš ,
āļ­ැāļšිāļŊි āļ´ැ⎄ැāļē āļ­ු⎅ āļ†āļ°්‍āļēාāļ­්āļ¸ිāļš āļļāļŊāļēāļš් āļœැāļļ් ⎀ෙāļŊා āļ­ිāļēෙāļąāˇ€ා,āļ’ āļąි⎃ා āļ¸ āļ­āļ¸āļēි āļļො⎄ෝ āļ†āļœāļ¸ිāļš āļ´්‍āļģāļ­ිāļ¸ා āļąිāļģ්āļ¸ාāļĢ āˇ€āļŊāļ§ āļ­ැāļšිāļŊි ⎀āļģ්āļĢ āļˇා⎀ිāļ­ා āļšāļģāļą්āļąේ ,
āļ†āļœāļ¸ිāļš āļ‡āļŗුāļ¸් āļ´ැ⎅āļŗුāļ¸් ⎃āļŗāˇ„ාāļ¯ āļˇා⎀ිāļ­ා āļšāļģāļąු āļŊāļļāļą්āļąේ ,

#āļģෝ⎃_⎀āļģ්āļĢāļē

āļģෝ⎃ āļ´ැ⎄ැāļē āļ‰āļ­ාāļ¸āļ­් ⎃ිāļēුāļ¸ැāļŊි ⎄ැāļŸීāļ¸් āļ‡āļ­ි āļšāļģāļą āˇ€āļģ්āļĢāļēāļš්,
⎃āļą්⎃ුāļą් āļļ⎀ ,āļ†āļ¯āļģāļē, āļšāļģුāļĢා⎀ āļ¸ුāļŊ් ⎀ෙāļą āˇ€āļģ්āļĢāļēāļš්,
āļļො⎄ෝ āļ…āˇ€āˇƒ්āļŽා ⎀āļŊ āļšාāļą්āļ­ා⎀āļą් āļąිāļēෝāļĸāļąāļē āļšāļģāļą්āļąāļ§ āļģෝ⎃ ⎀āļģ්āļĢāļē āļēොāļ¯ා āļœāļą්āļąāˇ€ා ,
āļ†āļ¯āļģāļĢීāļē āļļ⎀ ⎀āļœේ āļ¸ āļąිāļ¯āˇ„āˇƒ් āļļ⎀ āļģෝ⎃ ⎀āļģ්āļĢāļē āļ­ු⎅ āļ­ිāļēෙāļąāˇ€ා.
⎃āļ­ුāļ§ āļąිāļģ්āļ¸ාāļĢ⎁ීāļŊී āļļ⎀ āļ¸ේ āļ­ුāļŊ āļœැāļļ් ⎀ෙāļŊා āļ­ිāļēෙāļą āļąි⎃ා āļģෝ⎃ ⎀āļģ්āļĢāļē āļļො⎄ෝ āļąිāļģ්āļ¸ාāļĢ āļšāļ§āļēුāļ­ු⎀āļŊāļ§ āļēොāļ¯ා āļœāļą්āļąāˇ€ා,

#āļ…⎅ු_⎀āļģ්āļĢāļē

āļ¸āļąෝ⎀ිāļ¯්‍āļēාāļ­්āļ¸āļš āļœුāļĢ āļ…āļ­ිāļą් āļļැāļŊු⎀āļ¸ ,⎀ි⎁ේ⎂ āļœුāļĢාංāļœāļēāļš් āļąොāļ¸ැāļ­ි ⎀āļģ්āļĢāļē ⎀ිāļ¯ි⎄āļ§ āļ­āļąි āļ…⎅ු ⎀āļģ්āļĢāļē ⎄āļŗුāļą්⎀āļą්āļą āļ´ු⎅ු⎀āļą් ,
āļ’ āļšිāļēāļą්āļąේ āļ…āļŊු āļ‹āļ¯ා⎃ීāļą āˇ€āļģ්āļĢāļēāļš් 
āļ‰āļ­ිāļą් āļ¸ෙāļą්āļą āļ¸ේ ⎀āļģ්āļĢ āˇ€āļŊ ⎁āļš්āļ­ීāļą් āļąිāļ´āļ¯āˇ€āļą āļ†āļšාāļģāļē āļœැāļą āļēāļ¸් āļ­ාāļš් āļ¯ුāļģāļ§ āˇ„ෝ āļ”āļēාāļ§ āļ…āļ¯āˇ„āˇƒāļš් āļœāļą්āļą āļ´ු⎅ු⎀āļą් āļąāļ¸් āļ”āļēාāļ§ āˇ„āļģි ⎃ූāļš්⎂āļ¸ āˇ„ා āļ‹āļ´āļš්‍āļģāļ¸āˇීāļŊී ⎀ිāļ¯ිāļēāļ§ āļ’ āļ’ āļ…āˇ€āˇƒ්āļŽා⎀āļą් ⎄ා ⎃්āļŽාāļą āˇƒāļŗāˇ„ා āļ¸ේ ⎀āļģ්āļĢ āˇ€āļŊ ⎁āļš්āļ­ිāļēāļ­් āļˇා⎀ිāļ­ා āļšāļģāļą්āļą āļ´ු⎅ු⎀āļą්